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Byzantine Christian Worship  

Peter Galadza

Eastern Orthodox and Catholics of the Byzantine Rite practice a liturgical tradition historically synthesized and disseminated via the Patriarchate of Constantinople. Various traditions of Jerusalem, and Palestine more generally, became a significant part of the synthesis. After Constantinople’s fall in 1453, the Greek liturgical books printed in Venice came to codify the textual and structural bases for the various families of this Rite. These families nonetheless employ different languages and music. They are also distinguished by ritual particularities. The Byzantine tradition stresses the sacramentality of the entire worship space and retains a transcendent ethos. The latter derives from the belief that earthly liturgy is a copy of the heavenly. While the full, codified Rite reveals an obvious regard for Scripture, approximately 85 percent of the Old Testament is not part of the lectionary—even if allusions to those unused passages are occasionally found in the hymnography. Historically, various genres have evolved in Byzantine hymnography, but—with some exceptions—the evolution of new forms ceased after Constantinople’s fall. As in all classical Rites, the Eucharist consists of a Liturgy of the Word and Liturgy of the Eucharist, though an elaborate preparation of the gifts precedes the Liturgy of the Word. A distinctive Liturgy of the Pre-sanctified Gifts is a prominent part of Lenten observance. As for the Hours, Vespers and Matins (Orthros) are the “hinges” of the office. Especially in the ancestral territories of the Rite, these have remained prominent—even in parochial churches. The Orthodox Church does not grant the same status to the Septinarium as does the Catholic, but all seven sacraments are celebrated with significant rites. Baptism, Chrismation (Confirmation), and the Eucharist are always administered together as initiation into the Church. The immovable cycle of feasts begins on September 1, imitating the old Byzantine civil calendar, while Easter, the actual start of the Church year, inaugurates the cycle of movable commemorations. The latter includes a cycle of eight melodic tones, with one tone used per week. For the reckoning of the date of Easter, the Julian calendar continues to predominate, even though the Gregorian has been used by many Orthodox Churches for the immovable cycle since the post-World War I period. The theological academies of the Russian Empire spawned a flowering of liturgical scholarship at the end of the 19th century. The Bolshevik Revolution curtailed this, and the baton passed to Rome’s Oriental Institute and to Orthodox institutions in Paris, Athens, and Thessaloniki, not to mention individual scholars throughout Europe. Among the greatest challenges for the Byzantine Church today is the development and appropriation of solid research—both historical and theological—with a view to revitalizing worship in cultural environments significantly different from those in which it was born. Sociological factors, however, impede liturgical reform.

Article

The Caliphate  

Carool Kersten

The caliphate as an institution for governing the Muslim community can be traced back to the time immediately after the death of the Prophet Muhammad in 632 ce. With its humble origins in the parochial settings of an Arabian desert oasis, the caliphate provided the structure for the shepherding of a community of believers organized around prophetic teachings calling for return to the true religion of Abraham, Moses, Jesus, and other prophets, a religion that came to be known as Islam. Despite internal dissent and even civil war, the caliphate not only survived but even expanded far beyond the Arabian Peninsula. Between the 8th and 10th centuries the Umayyad and Abbasid caliphates ruled an empire stretching from the Atlantic Ocean to the Indus River. After that, the challenges of sustained political control proved too formidable to be exercised from a single center, leading to political fragmentation. Although it functioned only for a few centuries as an effective form of Islamic governance, for many Sunni Muslims the caliphate’s political and symbolic significance has outlasted its administrative and institutional fragmentation. Its appeal even continued after its formal abolition in 1924 by the founding president of the Turkish Republic, Mustafa Kemal Ataturk (1881–1938). Since then the caliphate has not just remained a nostalgic memory. Throughout the 20th century and into the new millennium, some proponents of political Islam continue to advocate the restoration of a caliphate as a rallying point for Muslims worldwide, in some instances making concrete efforts toward re-establishing the institution or even proclaiming a new caliph.

Article

Candrakīrti’s Middle Way Philosophy  

Kevin Vose

The Indian Buddhist philosopher Candrakīrti (c. 570–640) created a systematic and far-reaching interpretation of the central Madhyamaka (“Middle Way”) doctrine of emptiness (śūnyatā) that many in Tibet regard as the highest philosophical view and as essential to the attainment of awakening. His unique reading of the “two truths,” all in the self-portrayal of a faithful interpreter of Nāgārjuna, offered an austere interpretation of emptiness that redefined the awakened state and took effort to align with the Mahāyāna Buddhist path. His bivalent portrayal of “the world” portended a conservative approach to a Buddhist’s relationship to authoritative scripture and its trustworthy interpreter, Nāgārjuna, as well as reconceiving the role of philosophical argument within ordinary practices. As is the case with many Indian Buddhists, little is known about his life; he is placed historically on the basis of his references to somewhat better-known figures. His thoroughgoing critique of the emergent “valid cognition” (pramāṇa) tradition and rejection of the role of inference (anumāna), favoring instead argument by logical consequence (prasaṅga), for demonstrating emptiness put his views out of step with his time; his influence would be muted for several centuries. His eventual rise to the attention of Indian Buddhists set the stage for the transmission of his texts to Tibet, where his philosophy touched off widespread debates on the relationships between the ultimate truth of emptiness, valid ways of knowing it, the bodhisattva’s path in which it is embedded, and buddhahood. Candrakīrti’s views would eventually win the day, placing his so-called Prāsaṅgika school at the pinnacle of most Tibetan Buddhist doxographies.

Article

Canon and Commentary in the Earliest Buddhist Manuscripts  

Stefan Baums

The earliest Buddhist manuscripts were written in the Kharoṣṭhī script and Gāndhārī language, initially on birchbark scrolls and later on palm-leaf pothi-format manuscripts (i.e., bound or wrapped palm-leaf folios). The core area of this manuscript culture was the region of Gandhāra in northern Pakistan and eastern Afghanistan, but its influence extended to neighboring areas and, along the Silk Roads, into Central Asia and China. After sporadic finds throughout the 19th and 20th centuries (including one substantial Dharmapada manuscript in 1892), approximately 150 such early Buddhist manuscripts have come to light in the past thirty years. They provide a direct view into a transitional period, ranging from the 1st century bce to the 4th century ce, in which Buddhist literature switched from a primarily oral to a primarily written mode of transmission and underwent a process of canonization. Scholastic texts employing new exegetical procedures were composed and Mahāyāna texts began to appear. The change of manuscript format from scroll to pothi eventually enabled new textualities, in particular the production of very extensive written texts including complete sections of a Buddhist canon that approached the content and form known from other Buddhist traditions. All major genres and divisions of Buddhist literature are attested among these manuscript finds, which are gradually being edited, providing a new basis for scholarly understanding of the early history of Buddhism and the way that texts were used in early Buddhist monasteries.

Article

Certainty and Security in Martin Luther’s Theology  

Susan E. Schreiner

Crucial for Luther’s theology and his own experience was the question of whether one’s salvation was certain. And the security of the truth which underlay doctrine was complexly related to that question. Luther thus received and developed notions of certitude and security. The concepts as Luther inherited them have a long and somewhat complicated history that can be traced back to ancient Greece. These terms were often distinct throughout antiquity and up to contemporary times. The term “security” has referred to the realm of the political; namely, the security or tranquility of the city state or “nation” both in terms of physical security in times of conflict and also in the history of law. Certitude has a more complex history. For example, Aristotle often understood certainty or akribeia to mean precision, especially in mathematical terms. Those sciences that had the most properties removed (aphaeresis) were the most precise and consequently the most certain. Most prominent in the history of certitudo was the issue of epistemic certainty. Thus we find in Augustine’s doctrine of illumination that uncreated, immutable exemplars were the guarantors of certainty. It was in the later Middle Ages that the issue of epistemic certainty, in the form of mental representation, became a controversial topic. Scotus criticized Henry of Ghent’s views of human cognition and contended that certainty could be had only of self-evident propositions, knowledge of contingent acts, repeated occurrences ordained by God, and sense knowledge of the external world. Ockham argued for epistemic certainty on the basis of self-evident propositions and, most importantly, the reliability of intuitive cognition of individual external objects. Certainty also had a long history in Christian theology and most often referred to the certainty of faith. Certitude was the conviction of the truth regarding the contents of the faith. Frequently the issue referred to the relationship between faith and reason. Certainty referred primarily to definition of the Christian faith. Not surprisingly, throughout the Christian tradition, certainty was related to the problem of heresy. The early church Fathers tried to establish orthodox doctrine over and against various heretical groups. Everyone agreed that the foundation for Christian truth was Scripture. However, different people interpreted the Bible in ways that were judged to be contrary to Christian faith. Around the year 434, Vincent of Lérins provided a rule that distinguished Catholic truth from heresy. This “Vincentian Canon” required that Christian truth be that which was believed everywhere, always, and by all (Quod ubique, quod semper, quod ab omnibus). These criteria guaranteed the certainty and stability of doctrine. One target of Vincent’s was probably Augustine, because he could be quoted against himself. Due to the many conversions in his life, Augustine made many pronouncements he later retracted, and such retractions were not meant to contribute to uncertainty about the faith. Medieval Scholastic inheritors of Augustine continued to define faith as a cognitive certitude. Their training in dialectic was crucial because it provided the certainty of doctrine against heretics. Luther was trained in dialectic, but in his Disputation against Scholastic Philosophy he opposed the use of Aristotle and logic in theology. Nonetheless, dialectic remained a subject in the university at Wittenberg. Dialectic could not answer the questions of certainty for which Luther sought answers. His questions were about the certainty of salvation and, for Luther, this certainty could only be found in Scripture and the experience of the Holy Spirit. Such certainty also required a redefinition of faith. As the various reformations continued to divide Western Christendom, controversies about the exegesis of Scripture multiplied both among various reformers and between reformers and Catholics. Throughout the course of the turbulent 16th century, the real source of certainty for all parties became the Holy Spirit. Throughout the late Middle Ages, certainty and security referred to the relationship between the individual and God. For Martin Luther and the other Protestant reformers, these terms took on a meaning beyond the faithful knowledge of the contents of the faith. Any examination of Luther’s writings show that he used “security” and “certainty” synonymously to refer to the certitude of salvation whereby one experienced the security, assurance, and certitude of God’s benevolent will. Moreover, despite his lack of a firm terminology, Luther meant the same thing by “the certainty of forgiveness,” “the certainty of justification,” and “the certainty of God’s good will,” as well as the phrase, “the certainty of being in a state of grace.” All of these phrases referred to the certainty of salvation or the security of knowing that God’s benevolence was directed to one’s own individual salvation.

Article

Chan Literature  

Jeffrey L. Broughton

An extensive printed Chan literature came into wide circulation during the Song dynasty (960–1279). This Song corpus included more-or-less intact texts from the Tang (618–907) and Five Dynasties (907–960), Tang and Five-Dynasties texts heavily reworked by Song editors, and a vast newly created set of Song Chan texts. This printed Chan literature spread among the educated elite during the Song period. In total, several hundred woodblock-printed texts from the Song and Yuan (1271–1368) periods, the classic age of Chan textual production, still exist, but many editions from the Ming (1368–1644) and later have also been preserved. In addition, Chan texts can be found within the Dunhuang-manuscript corpus. There are eight major Chan genres (omitting “rules of purity” or qinggui as too technical): yulu (collections of sayings of individual masters); flame-of-the-lamp records (biographical material and sayings of masters arranged as a series of inheritors of the flame of the lamp); poetry (both prosaic religious verse and highly allusive classical shi poetry); “standards” with attached poetry/prose comments (often called by Western scholars “gong’an/kōan collections”); compendia; collections of letters by Chan masters to scholar-officials, students, and peers; pretend dialogues; and glossary material. The language of the Chan records is a hybrid, a mixture of the written elegant language (wenyan) and a type of written Chinese based on spoken language. In time, the language of the Chan records became a sacerdotal language for Chan insiders, not only in China but in Korea and Japan as well. The language patterns of Chan literature—for instance, its proclivity for using everyday words and phrases as stand-ins for more imposing Buddhist-sounding equivalents—account for a great deal of its power and beauty. However, those language patterns also constitute serious obstacles for the modern reader. In short, the texts are very difficult to read because they are not simply “classical Chinese” nor are they modern vernacular. A stylistic convergence of the Chan records and classical Chinese poetry can be seen, particularly in the context of jueju quatrains of seven or five syllables. The sayings of the records often embody aesthetic ideals of Chinese poetry: lexical economy, emphasis on the imagistic, and minimal use of nonimagistic or abstract words.

Article

Chöd: A Tibetan Buddhist Practice  

Sarah Harding

Chöd (gcod), “severance” or “cutting,” is a Tibetan term referring to a cycle of Tibetan Buddhist practice and to the lineage initiated by the Tibetan woman Machik Lapdrön sometime in the 11th or 12th century. It is primarily based on the teachings of the perfection of wisdom (prajñāpāramitā) that represent the second phase of Buddhist texts that developed in India. In Tibet itself, Chöd was one of the many new sects that flourished in the second dissemination of Buddhism from India from 950 to 1350ce. Chöd has been classified as a branch of Zhijé (zhi byed) or “Pacification,” one of the eight great practice lineages that trace back to India, though no actual text on Chöd has been discovered in the early texts of Zhijé. Despite this quandary, its classification has afforded a kind of validation in being connected with the sources of Buddhism through the Indian master Dampa Sangyé. Nevertheless, there is no doubt that Machik Lapdrön herself is the sole progenitor for the teachings and the lineage. This woman from the area of Lap in central Tibet was known as Lapkyi Drönma, “the Light of Lap.” The respectful title of Machik, “One Mother,” was added later and is shared with several other important women of the time, often leading to confusion. Lapdrön showed remarkable abilities from an early age, and later gained mastery of speed reading. This led to a job as a chaplain in a patron’s house, where she met her future partner, providing her biographers with a fascinating narrative revealing the problematic status of female masters in Tibet. The recitation of prajñāpāramitā sūtras also led to her epiphany around the parts on māra, “devil,” “demon,” or (spiritual) “death.” This, along with her visions of the bodhisattva Tārā and the important connection with the Indian master Dampa Sangyé, were the inspiration for what became one of the most widespread practices in Tibet. The early Chöd teachings represent aspects derived from both sūtra and tantra sources. The focus is on the understanding of emptiness that severs fixation on the reification of the self and the resultant conduct based on compassion for others. The impediments that prevent such realization, called māras in Sanskrit, were a point of departure. As time went on, specific techniques and methods of practice (sādhana) accrued to this philosophy. While the main practice has remained the cultivation of insight and the enactment of separating the consciousness from the body, the post-meditation practice known as lü jin (lus byin) “giving the body” developed elaborate visualizations and ritual accouterments that came to dominate popular practice. Renowned as a charnel ground practice due to the visualized offering of one’s corpse as food for demons and other beings in situations that are intended to provoke fear, it is this that has become known far and wide as Chöd. The sources for this aspect are obscure and may well come from the surrounding culture of the Tibetan plateau, harking back to Bön and other pre-Buddhist practices. Some elements associated with shamanic practices are enacted in the Chöd rituals, despite its Buddhist soteriological assertions. With its beautiful melodies and lurid visualizations, Chöd quickly became popular in Tibet for exorcism, healing, and other practical usages. Its followers did not establish monasteries, as the lifestyle of roaming mendicants was emphasized, but Chöd was incorporated into most other schools in Tibet. Their liturgies are drawn from the works of Lapdrön’s descendants, or from visionary experiences, or found as treasure texts (terma). As of the early 21st century, Chöd has gained popularity worldwide, with many iterations in 21st-century practice.

Article

Christian Dominionism and Violence  

James Aho

There are several forms of Christian Dominionism. However, all of them advocate “taking America back for God,” which is to say, from “non-Christians” (however understood), undocumented aliens, “sexual deviants,” “femi-Nazis,” liberal progressives, and the like. To be sure, most individual Dominionists and most Dominionist congregations are not violent. Nevertheless, some are. This is not because these few are ignorant, isolated, or insane, but rather because they reside in a particular kind of social/cultural milieu, one that normatively encourages them to harm others (in the name of their god) and offers them opportunities to do so, and where they are not subject to external restraints that might otherwise deter them from acting out their supremacist proclivities. One implication of this is that in order to avert Dominionist-motivated violence, policymakers must do more than merely criticize Dominionist theology—as important as this may be. Additionally, they must deal with local normative expectations that embolden potential terrorists and provide them easy access to high-powered weaponry. They must also protect vulnerable, marginalized populations from being targeted and step up law-enforcement vigilance and preparedness.

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Christian Feminist Theology and the Arts  

Elizabeth Ursic

Christian theology is the study of God and religious belief based on the Christian Bible and tradition. For over 2,000 years, Christian theologians have been primarily men writing from men’s perspectives and experiences. In the 1960s, women began to study to become theologians when the women’s rights movement opened doors to higher education for women. Beginning in the 1970s and 1980s, female theologians developed Christian feminist theology with a focus on women’s perspectives and experiences. Christian feminist theology seeks to empower women through their Christian faith and supports the equality of women and men based on Christian scripture. “There is no longer Jew or Greek, there is no longer slave or free, there is no longer male and female; for all of you are one in Christ Jesus” (Galatians 3:28). The arts have an important role in Christian feminist theology because a significant way Christians learn about their faith is through the arts, and Christians engage the arts in the practice of their faith. Christian feminist theology in the visual arts can be found in paintings, sculptures, icons, and liturgical items such as processional crosses. Themes in visual expression include female and feminine imagery of God from the Bible as well as female leaders in the scriptures. Christian feminist theology in performing arts can be found in hymns, prayers, music, liturgies, and rituals. Performative expressions include inclusive language for humanity and God as well as expressions that celebrate Christian women and address women’s life experiences. The field of Christian feminist theology and the arts is vast in terms of types of arts represented and the variety of ways Christianity is practiced around the world. Representing Christian feminist theology with art serves to communicate both visually and performatively that all are one in Christ.

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Christian Fundamentalism in America  

Margaret Bendroth

Fundamentalism has a very specific meaning in the history of American Christianity, as the name taken by a coalition of mostly white, mostly northern Protestants who, in the late 19th and early 20th centuries, united in opposition to theological liberalism. Though the movement lost the public spotlight after the 1920s, it remained robust, building a network of separate churches, denominations, and schools that would become instrumental in the resurgence of conservative evangelicalism after the 1960s. In a larger sense, fundamentalism is a form of militant opposition to the modern world, used by some scholars to identify morally absolutist religious and political movements in Islam, Judaism, Christianity, and even Hinduism and Buddhism. While the core concerns of the movement that emerged within American Protestantism—defending the authority of the Bible and both separating from and saving their sinful world—do not entirely mesh with this analytical framework, they do reflect the broad and complex challenge posed by modernity to people of faith.

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Christian Initiation  

Maxwell Johnson

“Christian initiation” refers to the ritual process employed by various churches in forming new Christian converts through catechesis (instruction) during the “catechumenate” to baptism, postbaptismal rites (including hand-laying and anointing, sometimes called “confirmation”), culminating in First Communion, and leading to the further integration of these newly initiated members into ongoing Christian life through “mystagogy.” Christian initiation is the story of diversity and change as the biblical images of initiation lead toward a rich variety of early Christian practices and theological interpretations, eventually coming to focus on Christian baptism as “new birth” or the “washing of regeneration” in water and the Holy Spirit (John 3:5 and Titus 3:5) in early Syria and Egypt and baptism as participation in the death and burial of Christ (Rom. 6) in North Africa and other places in the West. In the 4th and 5th centuries, after Christianity emerged as a cultus publicus, the rites of Christian initiation underwent a certain standardization and cross-fertilization as various churches borrowed from one another to construct rites that display a remarkable degree of homogeneity. These rites include a decided preference for celebrating Christian initiation at Easter, after a period of final catechetical preparation in Lent; prebaptismal rites with an exorcistic focus; an almost universal (Rom. 6) theological interpretation of baptism; and postbaptismal hand-layings or anointings associated explicitly with the gift or “seal” of the Holy Spirit, still leading to First Communion within a unitive and integral process. Another characteristic, thanks to the controversies faced by Augustine with Pelagianism, was the development of a new theological rationale for the initiation of infants, which focused on the inheritance of “original sin” from Adam. This would have far-reaching consequences for subsequent centuries as infant baptism became the norm for practice and theology. If the Eastern rites underwent little further development in the Middle Ages, the West experienced what many have been called a sacramental dissolution, disintegration, and separation. Gradually, the postbaptismal rites of hand-laying and anointing, associated with the gift of the Holy Spirit and now with the physical presence of the bishop, became separated from infant baptism and were given at a later point. Similarly, the reception of First Communion also became separated and was often postponed until the canonical age of seven. This process was inherited by the adherents of the Protestant and Catholic reformations of the 16th century. Little was done to restore the unitive and integral process of Christian initiation from the earlier centuries and confirmation itself developed among the reformers largely into a catechetical exercise or rite with First Communion either prior to or after confirmation. In the early 21st century, thanks to the Roman Catholic Rite of Christian Initiation of Adults and similar rites in other churches, the unitary and integral process of initiation has been restored. What remains to be done, however, is the full integration of infants and children into this process, although in several Anglican and Lutheran contexts infants now are again recipients of the full rites of initiation, including First Communion.

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Christianity in Hawaiʻi  

Ronald Williams Jr.

On January 17, 1893, Her Majesty Queen Liliʻuokalani, sovereign of the Hawaiian Kingdom, was overthrown in a coup de main led by a faction of business leaders comprised largely of descendants of the 1820 American Protestant mission to the “Sandwich Islands.” Rev. Charles Hyde, an officer of the ecclesiastic Papa Hawaiʻi (Hawaiian Board) declared, “Hawaii is the first Country in which the American missionaries have labored, whose political relations to the United States have been changed as a result of missionary labors.” The actions of these “Sons of the Mission” were enabled by U.S. naval forces landed from the USS Boston the evening prior. Despite blatant and significant connections between early Christian missionaries to Hawaiʻi and their entrepreneurial progeny, the 1893 usurpation of native rule was not the result of a teleological seventy-year presence in the Hawaiian Kingdom by the American Protestant Church. An 1863 transfer of authority over the Hawaiian mission from the Boston-based American Board of Commissioners for Foreign Missions (ABCFM) to the local ʻAhahui ʻEuanelio o Hawaiʻi (AEH) (Hawaiian Evangelical Association) served as a pivotal inflection point that decidedly altered the original mission, driving a political and economic agenda masked only by the professed goals of the ecclesiastic institution. Christianity, conveyed to the Hawaiian Islands initially by representatives of the ABCFM, became a contested tool of religio-political significance amidst competing foreign and native claims on leadership in both church and state. In the immediate aftermath of the January 1893 overthrow of the Hawaiian Kingdom government, this introduced religion became a central tool of the Kanaka Maoli (Native Hawaiian) struggle for a return of their queen and the continued independence of their nation. Native Christian patriots organized and conducted a broad array of political actions from within the churches of the AEH using claims on Ke Akua (God) and Christianity as a foundation for their vision of continued native rule. These efforts were instrumental in the defeat of two proposed treaties of annexation of their country—1893 and 1897—before the United States, declaring control of the archipelago a strategic necessity in fighting the Spanish/Filipino–American War, took possession of Hawaiʻi in late 1898. Widespread Americanization efforts in the islands during the early 20th century filtered into Hawaiʻi’s Christian churches, transforming many of these previous focal points of relative radicalism into conservative defenders of the American way. A late-20th-century resurgence of cultural and political activism among Kanaka Maoli, fostered by a “Hawaiian Renaissance” begun in the 1970s, has driven a public and academic reexamination of the past and present role of Christianity in this current-day American outpost in the center of the Pacific.

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Christian Liturgical Music  

William T. Flynn

Music in its widest definition (sound and silence organized in time) is never absent from Christian worship. The diversity of styles and forms employed both chronologically and synchronically, as well as the varied theological, aesthetic, and sociological positions concerning musical norms evident in every ecclesial community, provides a window into the self-representation and theological positioning of each community and often also of the subgroups and individuals within it. Disputes over the norms of Christian liturgical music are commonplace, most often within but also between various ecclesial communities, and may be analyzed for their theological significance. These norms concern (1) the distribution of musical roles, (2) the style of music employed, (3) the relationship between music and words (including whether to use instruments) and (4) the status of traditional repertories. Each of these may be indicative of theological commitments adopted both consciously and unconsciously by members of the community and may reflect differing theological positions, especially concerning ecclesiology. For example, congregants and whole communities may differ in their preferred self-representation of the Church, one preferring the model of the gathered community on earth, another preferring the model of heaven and earth in unity. Some individuals or communities may conceive of their church as part of a larger culture, while others may conceive of their church as a subculture or even a counterculture. New celebrations often arising from a change in spiritual emphases (e.g., the cult of saints) provide an impetus for change even within traditions that conceive of their music as sacral and inviolable. Perceived deficiencies in liturgies, whether due to a need for updating or to return to an earlier, purer form, also provoke musical changes. Careful case studies investigating such interactions between musical and liturgical practice illuminate the theological commitments of both individuals and ecclesial communities, and offer a method for the critical evaluation of the varied musical responses made by Christian communities.

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Christian Marriage and Funeral Services as Rites of Passage  

Ruth A. Meyers

Weddings and funerals mark major transitions in human life. In these rites of passage, which effect a transformation from one status to another, an individual is separated from one state of existence, passes through a threshold or liminal space, and is incorporated into the community with a new status. In a wedding, individuals move from being single to being joined in a marriage, and in rites surrounding death, a person moves from the land of the living to become an ancestor. These rites of passage concern not only those making the transition but also the community. The ritual actions enable the individuals as well as the community to navigate momentous events in human life, they acknowledge and bring about a transformation in the community, and they offer an interpretive framework for the transition. Weddings and funerals are not rooted in any single religious tradition. Rather, they are social and cultural events that may also have a religious dimension. Many religious weddings and funerals incorporate practices from different cultural contexts, and as social or cultural norms change, ritual practices may evolve to accommodate these norms. Wedding practices have changed to reflect modern Western notions of companionate marriage rather than arranged marriage, and, more recently, growing acceptance of same-sex life partnerships has led a few religious bodies to develop rituals to bless these relationships. Funerals express different understandings of life after death, and they are adapted to various practices for disposal of the body, for example, cremation or burial of the body.

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Christian Sacred Architecture  

David Bains

Beginning with the Renaissance, the architecture of churches in the West was shaped by new cultural and liturgical demands that reshaped the spaces of Christian worship. Renaissance Christians found models of urban monumentality and geometric harmony in the architecture of classical Rome that they deemed lacking in their existing Gothic forms. At the same time, both Catholics and Protestants placed new emphasis on preaching and on the ability of worshipers to see the liturgy. These factors decisively reshaped church architecture. The rational austerity of the Renaissance, however, soon gave way to the more exuberant decoration of the baroque and, in time, to a revival of the Gothic. Beginning in the late 18th century, it became valued for its association with mystery, organic development, and the endurance of faith amid the rise of scientific rationalism. By the mid-19th century, an eclecticism in architecture had developed where many church builders used varied styles to actualize buildings of many plans in order to bring the desired historical and emotional associations to the structure, or simply to distinguish it from its neighbors. Yet, architectural principles—often associated with the Gothic—that emphasized the integral relation of form, structure, and function led many church builders to embrace architectural modernism. They rejected applied ornament, especially that which hid the structure of the building. Concrete, steel, and glued laminated wood beams made possible new designs often with a minimalist aesthetic and innovative ground plans. As in the 16th, so in the 20th century this architectural shift was associated with new values and liturgical demands. For many there was a fundamental concern with the architectural expression of the immanence of God. Historical styles and dim light seemed wrongly to suggest that God was not part of the contemporary world. Along with this, liturgical ressourcement fostered throughout the 20th century by the Liturgical Movement and endorsed by the Second Vatican Council championed the idea that liturgy was “the work of the people,” a corporate activity in which all participated. This led to the development of the “modern communal church” as a liturgical form. Many historic buildings were significantly altered. Within thirty years, a sizable revolution was insisting on more traditional, often classical, architectural forms ensuring that future church building would be shaped by a dialogue between tradition and the modern.

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Christian Spirituality and Social Transformation  

Philip Sheldrake

The word “spirituality” has become increasingly common. What does it mean? It is not limited to spiritual practices, such as meditation, but suggests the pursuit of a life shaped by a sense of meaning, values, and perhaps transcendence. Although the word is used in different religions, and by people with no religious beliefs, its origins were Christian and referred to living life under the influence of God’s spirit. Nowadays, in a consciously plural world, Christian spirituality has a specific content whose origins are the Jewish and Christian scriptures. In particular, Christian spirituality is associated with following the teachings of Jesus Christ or imitating his values. The main New Testament word for this is “discipleship,” which has two main elements. First, there is a call to personal transformation (conversion). Second, Christians are to continue the mission of Jesus to transform the world and to build the kingdom of a God of love. In that fundamental sense, Christian spirituality is inherently concerned with social transformation. In the Gospel of Matthew, this includes sharing in Jesus’ work of forgiveness and healing. In the Gospel of Mark it involves selfless service of others. The history of Christian spirituality is a varied story of ways of approaching discipleship. Needless to say, part of what makes Christian spirituality distinctive is its underlying beliefs—in other words, how it understands the reality of God, the value of the material world, human nature, and identity and how these interconnect. The great variety of spiritual traditions and writings within Christianity originated at different times and places. However, they are continually being adapted in the light of new historical and cultural contexts. Scholars have sometimes found it helpful to identify different types of Christian spirituality. Their choices vary, and the types are interpretative tools rather than straightforward descriptions. “Types” help us to identify distinctive styles of spiritual wisdom. The ascetical type, sometimes associated with monasticism, highlights discipline and detachment from material pleasures as the pathway to spiritual growth. The mystical type focuses on the desire for an immediacy of presence to, and intuitive knowledge of, God, frequently via contemplative practice. The active type promotes everyday life and service to other people as the context for spiritual growth. The aesthetic type covers a range of ways in which the spiritual journey is expressed in and shaped by the arts, music, and literature. Finally the prophetic type of spirituality embraces an explicit commitment to social justice and the transformation of society. Christian spirituality has become a major area of study. It is an interdisciplinary field shaped by scripture, theology, and Christian history, but which may also draw upon psychology, the social sciences, literature, and the sciences. The study of Christian spirituality is also “self-implicating,” in the sense that it is not treated in a purely theoretical way but includes a quest for practical wisdom. Finally, the traditions of Christian spirituality increasingly engage with important issues of social and cultural transformation, for example interreligious dialogue, peace and reconciliation, ecological questions, the future of cities, the world of business, and the meaning of healthcare.

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Christian Theology and Mysticism  

William Thompson-Uberuaga

Should Christian theology be interested in mysticism? A strong current within contemporary theology believes it should be, linking up with an older tradition holding that the mystical dimension has always formed the deepest current in the flowing river of Christianity and its theologies and doctrines, even if some have failed to recognize that. This article explores this modern current, its “founders,” its motivations, the questions it raises, and its accomplishments. Mystics are acknowledged as witnesses to the originary experiential source of Christian doctrine and theology. These modern pioneers explore possibly constant features of the mystical element, and emphasize the “turn to experience” as a central feature. The contemporary discussion has moved in the direction of exploring as holistic a view of experience as possible, stressing its constructed nature, and employing a lexicon emphasizing consciousness, practices, participatory awareness, and performative utterances. One typically thinks of mystics who have written classic articulations of their journey as “the” mystics. This is natural, as these writings are the time-tested paradigms that have founded the science of mysticism. But might one be a mystic whose form of expression occurs through art, or through the prophetic struggle for justice, or simply through the humble and often unnoted life of selfless love? Perhaps most mystics remain unknown! All forms of Christian mysticism are related to Jesus but take varying forms: a kingdom-centered and Father-centered focus, echoing somewhat the liberating focus of Exodus and the Gospels; a Logos mysticism, who indwells believers and whose indwelling unites all disciples (John 17:20–24); a spousal mysticism, echoing the bride and bridegroom theme in scripture (Hos 2:16–20; Mark 2:18–20; John 3:29; Eph 5:23–33). Paul’s letters are a treasury of participative mysticism (koinōnia), celebrating fellowship with fellow disciples in the body of Christ and being “with” and “in” Christ (1 Cor 10; Rom 6). As the trinitarian belief and doctrine gain clarity, one increasingly comes upon a more trinitarian style of mysticism (e.g., the Rublev Trinity icon). The relationship between theology and mysticism appears to be mutual: Christian sources and beliefs influence theology, but the mystical vivid experience of God’s presence keeps belief and doctrine anchored in a rich experiential soil. But it is suggested, by way of a heuristic for further exploration, that this mutual, back-and-forth interplay between mysticism and theology or doctrine is asymmetrical as well. That is, mysticism may be thought of as the originary and even paradigmatic source of theology (and formal doctrine). This would echo an older tradition voiced, for example, by Evagrios in patristic times and Vladimir Lossky and Karl Rahner in modern times. One way of understanding this would be to begin with the phenomenon of spirituality and to view mysticism as spirituality’s radically transformative expression. Spirituality derives from the work of the Spirit, who renders our life “Spirited” (1 Cor 2:15). Spirituality can take on a range of theological and doctrinal forms, as the human faculties needed for this are gradually enriched and transformed by the Spirit. At times the mystics become paradigms of theology and doctrine, through the radical transformation of consciousness and action. An important by-product of this model is that theology and spirituality are never really separated. When one begins to think in this separationist way, it is a signal that one’s experience and understanding are suffering from a certain narrowness and distortion. Finally, Christian mysticism and theology (along with doctrine) have been and are continually challenged by seismic transitions in human history, as is Christianity in general. These are never really left behind, even when their challenges are more or less successfully met. At best one can build on them and continually seek to integrate their enduring lessons. The key transitions that the mystic is challenged to learn from and integrate include: “primary”/cosmocentric challenges; biblical; Classical; sapiential; Far Eastern; Muslim; medieval; Renaissance and Reformation; modern; late modern; postmodern; globalization; neocosmocentric; and ecological challenges. The traditional mystic stages and states, for example, will undergo important transformations as they pass through these various transitions. To the extent that the mystics meet these challenges, they become the paradigmatic theological explorers and guides for the rest of us on our journeys.

Article

Christian Worship and Gender Practices  

Teresa Berger

The foundational materiality in Christian worship is the bodily presence of worshippers. Gender differences—and the manifold ways in which they are embodied and performed in different cultural contexts—are therefore inscribed into the very fabric of liturgical practices, past and present. In Christian worship today, the workings of gender are evident across a broad spectrum of ecclesial traditions. Some churches have authorized rituals for the blessing of same-sex unions; some are ordaining openly transgender priests. Other churches continue to struggle with the ordination of women, while a few aim for explicitly “masculine” worship experiences. Feminist concerns over liturgical language mark some communities, while churches rooted in more traditional contexts maintain seating arrangements that separate women and men. Clearly, the workings of gender in Christian worship today span a broad spectrum of quite dissimilar concerns. At the root of all these concerns, however, lies the same vital reality, namely that worship is an embodied practice and therefore never gender-free. What often goes unnoticed in contemporary discussions is the fact that gender differences have marked liturgical practices in Christian communities since earliest times. The workings of gender, in other words, have a genealogy in Christian worship. Scholars have only recently begun to map this terrain, by bringing the interpretive tools of gender theory to bear on liturgical historiography. Paramount among these interpretive tools is an understanding of gender as attending to all gendered particularities and sexualities (e.g., eunuchs in Byzantium, ascetic virgins in Merovingian Gaul, transgender people in contemporary North America, etc.). Gender, in other words, is understood to encompass much more than the traditional binary of “women” and “men.” The emerging gender-attentive insights into liturgical history have been intriguing and at times quite surprising. These insights span the whole of liturgy’s past, from ways in which gender shaped early baptismal practices (e.g., in the choreography of the rite, in questions surrounding the minister of baptism, in the bodily proprieties considered appropriate at the font) to the workings of gender in the 20th-century Liturgical Movement (e.g., its first important text, Tra le Sollecitudine (1903)—usually hailed for its evocation of an “active participation” of the faithful in worship—also sought to discontinue the presence of castrati singers in the Sistine Chapel choir while ensuring that women would not take their place). In between earliest glimpses of the workings of gender in Christian worship and our own times lie approximately a thousand years of a complex history. Tracing this history of the interplay between gender differences and Christian worship not only constitutes an important task for historians of liturgy, but also provides rich resources for addressing contemporary issues.

Article

Christian Zionism in the United States, 1930–2020  

Sean Durbin

Christian Zionism is a term that is predominantly associated with theologically conservative Christians who believe that the modern nation state of Israel is the fulfillment of biblical prophecy. Contemporary Christian Zionists believe that Israel’s creation in 1948, its expansion in 1967, and its flourishing are all evidence that God continues to have a special relationship with the Jewish people. Consequently, Christian Zionists assert that it is their duty as Christians to support and protect Israel, which they see as a logical extension of their evangelical identity. This support takes the form of political lobbying and providing financial support through donations, tourism, other activities in the United States and Israel. For many, the belief that God still has a special relationship with Israel also includes an emphasis on eschatology, or the end times, and the belief that Israel’s establishment is part of a series of events that will lead to large-scale war, leading to the battle of Armageddon and the return of Jesus. In the United States, there have been varying levels of politically active support for Israel from theologically diverse Christians. However, after 1967 the base of Christian Zionism in the United States was consolidated among theologically conservative evangelicals who viewed Israel in prophetic terms and interpreted events in Israel through that theological lens. Beginning in the 1970s and continuing into the 21st century, the politically active base of Christian Zionism became increasingly defined by the most conservative elements of American evangelicalism and the Christian Right. Christian Zionists were among the fiercest critics of the Obama administration, whom they argued was putting Israel in existential danger and, therefore, inviting divine punishment on the United States. Conversely, Christian Zionists, as a subset of evangelicals, were among Donald Trump’s biggest supporters, and through his Administration they achieved many of their political aspirations such as moving the United States Embassy in Israel from Tel Aviv to Jerusalem and withdrawing from the Iran nuclear deal.

Article

Churches, Grand Retables, and Ceiling Paintings in Portugal during the 16th and 17th Centuries  

Giuseppina Raggi

Religious and military architecture represented the core of early modern Portuguese architectural and artistic culture. Churches and fortresses are still the main architectural and symbolic landmarks of Portuguese history, closely related to the country’s maritime explorations and its colonial empire. Thus, religious architecture still plays a crucial role in the Portuguese landscape and cultural environment. Foremost among these is the monastery of Jerónimos near Lisbon. Its construction spanned the entire 16th century, yet in the 19th and 20th centuries, historiography fixed its image as an icon of the so-called Manueline style, associating it with the Portuguese maritime power developed during the reign of Manuel I (1495–1521). Since the late 20th century, Portuguese scholars have rethought the vision, challenging the term Manueline and unveiling the manifold artistic and architectural confluences and transformations. This is evidenced by the main chapel’s reconstruction by architect Jerónimo de Ruão in the latter half of the 16th century under the regency of the Queen Catherine of Austria. Her architectural patronage served as a model of patronage for women as the powerful Princess Mary of Portugal, who commissioned the main chapel of the church of Luz, and the very wealthy Simõa Godinha of African birth, who sponsored the current main chapel of the church of Conceição Velha (ex-chapel of Holy Spirit). The vast religious complex of the Order of Christ, as well as the balanced architecture of the chapel of Our Lady of Immaculate Conception, both situated in Tomar, reflected the circulation in Portugal of 16th-century Italian architectural treatises, which contributed to the cultural renewal of architects as João de Castilho or sculptors as Nicolas Chanterene. The architectural works of Francesco da Cremona in Northern Portugal and of Miguel de Arruda in Évora also spread the Renaissance architectural culture. In the 16th century, monumental portals and grand retables share a similar taste for magnificence and sculpted details, while in the 1580s, the architecture painted on the ceiling of the Jesuit church of Saint Roque in Lisbon was a very disruptive pictorial experimentation. During the Union of Iberian Crowns (1580–1640/1668), the consolidation of the classicist erudition of Portuguese architects underpinned the building of main churches as São Vicente de Fora in Lisbon or the Jesuit church in Coimbra (after the Jesuits’ expulsion from Portugal in 1759, it was transformed into the New Cathedral). Simultaneously, from the latter half of 16th century through the 17th century, simplified typologies of religious architecture proliferated in both Portugal and its colonial territories. Coined for the first time (1972) by George Kubler as “plain architecture”—rendered in Portuguese as arquitetura chã (1988)—this concept gained significant traction among scholars but was subsequently rethought by José Eduardo Horta Correia. Simplified patterns, the resource economy, and the use of models by Serlio’s treatise characterized a panoply of buildings, from the extensive horizontal mass of the Santa-Clara-a-Nova monastery in Coimbra to the classicist erudition of the chapel of Onze Mil Virgens in Alcácer do Sal, encompassing the five new cathedrals (Leiria, Portalegre, Miranda do Douro, Angra do Heroismo, and Goa) built during this time. The shift toward Baroque sensibility and culture gradually unfolded within 17th-century Portuguese architectural spaces. On one hand, they maintained exterior sobriety, increasing the opulence of the interior decorations thanks to magnificent gilded wood-carved grand retables and walls covered by azulejos. On the other hand, certain central-plan sacred spaces exhibited externally curved and undulating walls, as seen in the church of Sant’Engracia in Lisbon. It was built by the architect João Antunes, who also was used to designing colored marble retables with Solomonic columns. His art aimed to change the artistic and architectonic Portuguese tradition prevalent up to that time.