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Concepts of religion and humanity form an integral component of Mesopotamian narrative literature, and these ideas are evidenced in the frequent exploration of themes involving mortality and immortality, power and authority, and creation and destruction. Through the use of plot, characterization, literary themes and techniques, and also structure, Mesopotamian myths and epics transmit religious ideas and beliefs, as well as informing on cultural identity and meaning. In both oral and written transmission, storytelling is a powerful medium for exploring ancient theology. Religious ideas are expressed in a wide array of Mesopotamian literary works, and while some features, such as the polytheistic view of the divine hierarchy, remain generally constant, different texts and “genres” show changes in focus and in the perception of the divine and the human. While deities and supernatural creatures have a prominent role in literature, Mesopotamian myth is not only concerned with theistic matters, but also with what it means to be human. It is often observed in modern scholarly works that humans, in the Babylonian Flood narrative of Atrahasis, and the creation myth of Enuma Elish, were born to serve the gods and perform their menial tasks. This is undoubtedly an important observation for the analysis of humanity and religion, yet the presentation of human/divine relations as one of simple subjection gives a misleading and superficial impression of the interaction between the mortal and divine spheres, one that is at odds with the subject’s complexity, variety, and subtlety. Myths and epics provide a multifaceted picture of a number of different types of relationships between gods and humans: even in the narrative of Atrahasis, individual deities interact with humans in different ways; there is no “one size fits all” divine connection in Mesopotamian literature. Despite a rigid hierarchy in favor of the divine, these relationships are frequently close, involving strong emotional bonds. The human/divine connection is not solely beneficial to either party, but reciprocal and often mutually rewarding. At the same time, the relations between humans and deities can be destructive and damaging—with the harm most often depicted to occur on the human side, possibly because of the vulnerability offered by mortality and the lack of supernatural abilities. Humanity is reflected in the anthropomorphic representations of deities and also the sociomorphism of their family-oriented community structure. For heroes of epic literature, the divine connection can be perilous, but also rewarding. The success of heroes in accessing divine support is frequently (but not exclusively) linked to the morality of their actions. Religion and humanity in literature concern not only deities’ interactions with humans, but also how the authors of literature conceptualized and gave meaning to the human condition. It is clear from Mesopotamian literature that close, positive relationships with the divine were important for survival and success during the human lifespan (and even beyond), yet at the same time, the answer to questions of finding meaning in mortal existence is at times presented in very human terms. Love, alongside shared human achievements and experiences, is presented in several literary sources as essential for giving meaning to the human condition.

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Ivana Petrovic

Ancient Greek religion was a polytheistic religion without a book, church, creed, or a professional priestly class. Due to the extraordinarily rich regional varieties in cult, fragmentary evidence and conjectural interpretations of it, conflicting mythological accounts, and the span of time treated, not a single absolute statement can be made about any aspect of Greek religion and exceptions exist for every general rule stated here. Since Ancient Greeks perceived all aspects of nature as either divine or divinely controlled, and all aspects of individual and social life were thought to be subject to supernatural influence, paying proper respect to the gods and heroes was understood to be a fundamental necessity of life. Since no aspect of individual or social life was separate from “religion,” scholars refer to Ancient Greek religion as “embedded.”1 The closest Ancient Greek comes to the English word “religion” are the noun thrēskeia (“acts of religious worship, ritual, service of gods”) and the verb thrēskeuō (“to perform religious observances”). Basic components of religious worship were the construction and upkeep of divine precincts, statues, altars, and temples, the observance of festivals, performance of sacrifices, bloodless offerings and libations, prayer, hymning, and observance of ritual abstinences and purifications. The closest Greek equivalents to “belief” were eusebeia (“reverent piety,” “respect”) and pistis (“trust in others” or “faith”).2 Both words could qualify a relationship between humans, as well as a relationship between humans and a supernatural entity. Since the Ancient Greeks did not have authoritative or divinely sent books of revelation, there was no script telling them what or whom to believe in and outlining the reasons why. The Greeks did not have professional priests who preserved, interpreted, and disseminated religious norms.3 However, Greek literature is brimming with gods, and the stories about the gods, which they (and we) call “myths,” were not only in all their texts, but everywhere around them: depicted on their pottery, painted on their walls, chiseled on the stones of their buildings.4 In the public space, there were countless divine statues, and the temples, altars, sacred groves, and divine precincts were everywhere around them. Ancient Greeks learned about the gods by hearing, watching, and doing: by seeing their parents perform a sacrifice, by observing them as they prayed, swore an oath, or performed libations, by participating in processions, singing and dancing in the chorus, eating the sacrificial meat in the sanctuaries, and by drinking wine, the gift of Dionysus. Ancient Greeks had no immediate need for theodicy, for the gods could be either benevolent, or angry, and their benevolence was perceived as a sign that the worship the community offered was appropriate, whereas natural catastrophes, crippling defeats in wars, or epidemics were interpreted as manifestations of divine anger, provoked by some human error or misstep.5 Ancestral gods and heroes and the traditional way of worshipping them formed the cornerstone of Greek religiosity.