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Sufism is the major expression of mysticism in Islam. While Sufism developed out of the fusion of Qur’anic ascetic tendencies and the vast fund of Christian (and other) mystical sayings present throughout the classical world, by approximately the 10th century it had become a uniquely Islamic feature. Major writers such as al-Ghazali and Ibn al-ʿArabi took this heritage and molded it both into a normative tradition for Islam as a whole (by wedding it to the Prophet Muhammad’s life experience) and, in the case of Ibn al-ʿArabi, into completely new spiritual paths. These interpretations of mysticism were critical in the vast conversion to Islam that happened during the period 1000–1800. Although other factors were involved as well, including trading by Muslims and the Islamic educational system, this conversion happened largely at the hands of the Sufis, especially holy men and healers, and thus the Muslim world is still largely Sufi or Sufi-influenced. Starting in the 19th century, however, and culminating in the mid-20th century, large numbers of Muslims abandoned Sufism, accusing it of being fundamentally anti-Islamic and even polytheistic. Today although Sufis still constitute the bulk of world Muslims, and they are visible throughout the non-Muslim world as well, their belief system is under attack as never before.

Erotic representations of the divine occupy a pivotal place in religious myths, poetry, liturgy, and theology. Reading eros as a category of religious love highlights its ubiquitous presence in sacred literary sources; moreover, it renders the nexus of erotic love and the divine critical to comprehending religiosity as an immanent and embodied phenomenon, rather than as an abstract idea. As an embodied phenomenon, religious love is subject to an investigation of topics such as gender and sexuality, and its multiple cultural meanings and contexts. Western philosophers such as Plato, Aristotle, (Pseudo-)Dionysius, and the Neoplatonist renaissance thinker Leone Ebreo, delineate a hierarchy or a “ladder of love” differentiating lesser and higher subjects and objects of love from love of the particular, to the universal, cosmic, and divine. An interrelated distinction is ascertained between “desire” as a state of lack often seen as a lower state, and “love” as the higher state, in which fulfillment and joy of the union with the object of one’s love is achieved. Love and desire as marked yet interrelated emotions are contextualized in religious phenomena cross-culturally, most obviously in theistic frameworks in which a personal and intimate relationship with the divine is an ideal. Poetry and autobiography are the most common genre of depicting the intimate and passionate encounter of human and divine. Despite the prominence of male voices in the sources, the contributions of medieval Christian and Muslim women mystics to this literature are significant. Key base-texts from which mystics and philosophers are inspired and draw upon to elucidate their own personal experience of yearning for the divine, include the biblical Song of Songs, Bhagavata Purana (Book 10), and the Gitagovinda. Although the yearning for the divine, associated with an emotional, embodied state and therefore seen as problematic from a rational perspective, this yearning is also a cherished state, even for rationalists such as the medieval Jewish thinker Moses Maimonides. The significance of erotic love for the divine is confirmed, not only by Sufi and Hindu bhakti poets such as Rumi and Jayadeva, but also by philosophers such as Ibn Arabi and Rupa-Goswami. The idiom of erotic desire and love for God is particularly poignant and integral not only in poetry but also in theology, as exemplified in Hindu bhakti and Christian theology. Exploring the meanings of erotic love in religious poetry, theology, liturgy, and the history of religion more broadly offers a rich scholarly and personal medium for contemplating the reality of human and divine nature.