With respect to the study of the Old Testament/Hebrew Bible, the term iconography refers to the visual images produced in the ancient Near Eastern world. Various types of ancient Near East (ANE) images are attested in the archaeological record, including monumental reliefs, freestanding statues and figurines, picture-bearing coins and ivories, terracottas, amulets, and seals and their impressions. These artistic materials, which constitute an important component of ancient material culture more broadly, display a wide variety of subject matter, ranging from simple depictions of human figures, deities, divine symbols, animals, and vegetation to more complex visual portrayals of worship scenes, battles, and tribute processions. Despite the presence of legal texts in the Old Testament (OT) that ban the production of divine images, ancient Israel produced, imported, and circulated a wealth of images, mostly in the form of seals, scarabs, and amulets. The study of ANE iconography focuses primarily on the subject matter of images, as opposed to issues pertaining to materiality, technique, style, aesthetics, and provenance. Thus the goal of iconographic investigations is to describe the content of a given image and to interpret the message(s) and ideas it was intended to convey. This process often entails analyzing the development of certain motifs over time and how they were deployed in various historical, religious, and social contexts. In this sense, the study of ancient iconography approaches images not so much as decorative pieces that reflect the creative expressions of individual artists, though stylistic creativity of this sort is sometimes possible to discern. Rather, the study of ancient iconography approaches images as forms of communication that were intentionally commissioned, often by the king, to publicly disseminate specific messages, be they political or religious. At a more basic level, the study of ancient iconography can also enhance the reader’s understanding of what objects and places would have looked like in the ancient world. The relationship between ANE iconography and the OT is complex. With few exceptions (cf. Ezek 23:13), the image-text relation is not simply a matter of biblical authors describing a visual image that they had seen. Neither is it a matter of images being created to depict biblical stories or events. Rather, the connection between ANE iconography and the OT is best understood to operate at a conceptual level. Specifically, literary imagery in the OT often reflects motifs and themes that are also present in the iconographic repertoire of the ancient world. The use of ANE iconography in the study of the OT is most commonly referred to as iconographic exegesis. This method of analysis first surfaced in the early 1970s through the pioneering work of Othmar Keel, at the University of Fribourg, Switzerland, and has since been furthered through the work of loose network of scholars known as the “Fribourg School.” Much of this research has focused on aspects of the canon that are especially rich in literary imagery, such as the Psalms and the Prophets. ANE iconography has also proven to be a valuable primary source in the study of the history of Israelite religion. Of particular interest is the nature and development of ancient Israel’s ban on divine images and the resulting tradition of aniconism—the notion that Yahweh was not to be represented in visual or material form and/or that any divine image was an impermissible idol.
Ryan P. Bonfiglio
Jack R. Lundbom
“Prophets” in the ancient world were individuals said to possess an intimate association with God or the gods, and conducted the business of transmitting messages between the divine and earthly realms. They spoke on behalf of God or the gods, and on occasion solicited requests from the deity or brought to the deity requests of others. The discovery of texts from the ancient Near East in the 19th and early 20th centuries has given us a fuller picture of prophets and prophetic activity in the ancient world, adding considerably to reports of prophets serving other gods in the Bible and corroborating details about prophets in the Judeo-Christian tradition. Two collections are important: (1) letters from the 18th-century Mari written during the reigns of Yasmaḫ-Addu (c. 1792–1775) and Zimri-Lim (c. 1774–1760); and (2) the 7th-century annals of Assyrian kings Esarhaddon (680–669) and Assurbanipal (668–627). Prophecies at Mari are favorable for the most part, and censures of the king, when they occur, are not harsh. Many simply remind the king of some neglect or give him some warning. One tells the king to practice righteousness and justice for anyone who has been wronged. None censures the people of Mari as biblical prophecies do the people of Israel. Assyrian oracles are largely oracles of peace and wellbeing, typically giving assurance to the king about matters of succession and success in defeating enemies. If prophets admonish the king, it is a mild rebuke about the king ignoring a prior oracle or not having provided food at the temple. According to the Bible, Israel’s prophetic movement began with Samuel, and it arose at the time when people asked for a king. Prophets appear all throughout the monarchy and into the postexilic period, when Jewish tradition believed prophecy had ceased. Yet, prophets reappear in the New Testament and early church: Anna the prophetess, John the Baptist, Jesus, and others. Paul allows prophets to speak in the churches, ranking them second only to apostles. Hebrew prophets give messages much like those of other ancient Near Eastern prophets, but what makes them different is that they announce considerably more judgment—sometimes very harsh judgment—on Israel’s monarchs, leading citizens, and the nation itself. Israel’s religion had its distinctives. Yahweh was bound to the nation by a covenant containing law that had to be obeyed. Prophets in Israel were therefore much preoccupied with indicting and judging kings, priests, other prophets, and an entire people for covenant disobedience. Also, in Israel the lawgiver was Yahweh, not the king. In Mari, as elsewhere in the ancient Near East, the king was lawgiver. Deuteronomy contains tests for true and false prophets, to which prophets themselves add other disingenuine marks regarding their contemporaneous prophetic colleagues. Hebrew prophets from the time of Amos onward speak in poetry and are skilled in rhetoric, using an array of tropes and knowing how to argue. Their discourse also contains an abundance of humor and drama. Speaking is supplemented with symbolic action, and in some cases the prophets themselves became the symbol.