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Emotion in American Religions  

John Corrigan

Emotion is an important part of religions in America. There is great diversity among emotional styles. Some groups are highly emotional, others relatively low in emotional expression, and some occupy a middle ground. Religious life is characterized by cultivation and expression of many emotions. Four that are of particular importance for Americans are wonder, empathy, anticipation, and the feeling of emptiness. Some emotions are treated as commodities. The study of emotion in religion enables fresh perspectives on the interwovenness of emotion, religion, and culture. The investigation of the emotional lives of religious persons in America can be advanced through study of persons’ reporting of their experiences alongside research bearing on cultural expectations for emotional life.

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Feeling of Emptiness and Religion in America  

John Corrigan

As part of a broader turn in humanities scholarship toward emotion since the late 20th century, scholars of religion increasingly have explored how emotion has been a key component in the lives of religious Americans. The relation of emotion to religious ideas has been particularly important in this nascent scholarship. In exploring how emotions and religious ideas are intertwined, scholars have focused on emotions such as love, melancholy, fear, and anger, among others. However, for reasons having to do with the historiography of American religion, as well as with categories that have governed much academic study of religion in America, the feeling of emptiness, which is so crucial to understanding Buddhism, and other Asian religions, has been underestimated for its role in American religions. In America, the feeling of emptiness plays a central role in religious practice, community formation, and identity construction, among Christians (the religious majority) but also in other religious communities. This essay describes some of the ways in which the feeling of emptiness has been expressed in American religions, and in American culture more generally, comments on how it has been joined to certain ideas at various times, and suggests how it has played a central role in shaping relations between religious groups in a society where religion is disestablished. The approach here is eclectic, blending historical narrative with cultural analysis, and the essay proceeds thematically rather than chronologically. Focusing on the feeling of emptiness allows a fresh perspective on religious practice in America, prompts new questions about belief and community, and enables new lines of interpretation for the development of religious ideas in America. Christians, Buddhists, Jews, and other religious communities in America have distinct ways in which they interpret the feeling of emptiness as a spiritual phenomenon. Religious persons often conceptualize it as an emotional experience of great value. Among Christians, it is important as a sign of an emptying of the self of immorality, distractions, and worldly clutter in preparation for being filled with the grace of God. Accordingly, Christians and others in America have developed spiritual disciplines aimed at cultivating the feeling of emptiness and advancing it to a point where deep longing becomes deep fulfillment. Religious practices involving the body include fasting, which is emptying the body of food, and tears, which empty the body of fluids. Bloodletting is also a notable practice, and, for those who do not cut or otherwise make bloody sacrifice (including war and lynching), bloodletting nevertheless is revered as a model discipline of emptying. There are aspects of sexual practices and the performance of work that also are exercises in self-emptying. All such disciplines are expected to prompt and enrich the feeling of emptiness. The severe fast, the deep feeling of emptiness, the desperate longing, the distancing from God becomes, paradoxically, a drawing closer to God. From the earliest settlement of North America, white Europeans and their descendants constructed the emptiness of the land to match the emptiness of their souls. Americans claimed to feel space. They expressed the spiritual feeling of emptiness in ideas about North America as a barren desert, crying to be filled by colonists and their descendants. The Great American Desert, a fiction created in the early 19th century, was one way in which Americans continued to imagine space as empty and themselves, as God’s exceptional nation, as the agents of fullness. American fascination with millennialism was a valorization of the fullness of eternity over the emptiness of history. Millennial movements and communities in America felt time as they did space, and when American Christians felt historical time they felt its emptiness. Americans have constructed elaborate and richly detailed depictions of the end as they look forward to a time when empty time will become eternity, fullness. Christian groups in America, populated by persons who cultivate emptiness, have defined themselves largely by saying what they are not. Both persons and communities, invested in the feeling of emptiness, mark personal and collective boundaries not by projecting into the social world a pristine essence of doctrine so much as by pushing off from other groups. Committed to emptiness, there is little to project, so the construction of identity takes place as an identification of Others. Such a process sometimes leads to the demonization of others and the production of identity through the inventorying of enemies.

Article

Memorialization and Religion in America  

Adam M. Ware

Monuments, memorials, and museums mark America’s landscape and define both the purpose of spaces and the actors who inhabit them. From the earliest colonial encounters to the new age of mass trauma, memory and its cultural accretions have conferred meaning and denied agency at the intersections of economics, politics, culture, and religious habit. Inasmuch as battlefield memorial sites and statues to fallen soldiers generate community identity through demands for consensus memories and prescribed reactions, national memorials also reflect the diversity, contestedness, and political derivation of those consensuses and those memories. Memorials form physical sites for cultural rupture and ritual redress. Memorialization ritualizes behaviors, standardizes emotional expressions, and regulates the terms on which Americans orient themselves relative to one another. Whether staging mock funerals for an English king or leaving flowers and notes at a site where forty-nine young people lost their lives, death forms a key experience responsible for memorial motivation, but celebrations of independence and victory also produce parades, festivals, and active memorial traditions. In the flows of past and present, life and death, preservation and change, and sanctity and secularism, memorial objects, processes, and behaviors mark and are marked by the historic developments in American religious and civil life.

Article

Grief, Sadness, and Depression in the Hebrew Bible and Ancient Near East  

David A. Bosworth

Experiences of loss (of person, property, health, security, etc.) trigger grief. The experience of grief is universal, and some expressions of sorrow likewise appear across the human species (e.g., weeping). Attachment theory has described fundamental aspects of grief that appear in all human cultures and many animal species. It is a well-established, empirically grounded theory that enables one to recognize and analyze grief in ancient texts. Universal aspects of grief appear refracted through the lens of particular cultures. Some grief-motivated behaviors appear entirely culturally conditioned, while others are strongly influenced by biology. For example, ancient Israelite people tore their garments and placed dust on themselves as an expression of grief, but modern Western people do not. Israelites also wept and moaned, and these behaviors can be seen across time and place. Weeping is a shared human inheritance that arose in the evolution of the species. Humans also evolved the capacity for culture, which shapes weeping and other emotional expressions. Some cultures expect mourners to minimize public displays of grief, while others expect loud moaning and copious tears in public displays of grief, sometimes led by professional mourners.