“Prophets” in the ancient world were individuals said to possess an intimate association with God or the gods, and conducted the business of transmitting messages between the divine and earthly realms. They spoke on behalf of God or the gods, and on occasion solicited requests from the deity or brought to the deity requests of others. The discovery of texts from the ancient Near East in the 19th and early 20th centuries has given us a fuller picture of prophets and prophetic activity in the ancient world, adding considerably to reports of prophets serving other gods in the Bible and corroborating details about prophets in the Judeo-Christian tradition. Two collections are important: (1) letters from the 18th-century Mari written during the reigns of Yasmaḫ-Addu (c. 1792–1775) and Zimri-Lim (c. 1774–1760); and (2) the 7th-century annals of Assyrian kings Esarhaddon (680–669) and Assurbanipal (668–627). Prophecies at Mari are favorable for the most part, and censures of the king, when they occur, are not harsh. Many simply remind the king of some neglect or give him some warning. One tells the king to practice righteousness and justice for anyone who has been wronged. None censures the people of Mari as biblical prophecies do the people of Israel. Assyrian oracles are largely oracles of peace and wellbeing, typically giving assurance to the king about matters of succession and success in defeating enemies. If prophets admonish the king, it is a mild rebuke about the king ignoring a prior oracle or not having provided food at the temple. According to the Bible, Israel’s prophetic movement began with Samuel, and it arose at the time when people asked for a king. Prophets appear all throughout the monarchy and into the postexilic period, when Jewish tradition believed prophecy had ceased. Yet, prophets reappear in the New Testament and early church: Anna the prophetess, John the Baptist, Jesus, and others. Paul allows prophets to speak in the churches, ranking them second only to apostles. Hebrew prophets give messages much like those of other ancient Near Eastern prophets, but what makes them different is that they announce considerably more judgment—sometimes very harsh judgment—on Israel’s monarchs, leading citizens, and the nation itself. Israel’s religion had its distinctives. Yahweh was bound to the nation by a covenant containing law that had to be obeyed. Prophets in Israel were therefore much preoccupied with indicting and judging kings, priests, other prophets, and an entire people for covenant disobedience. Also, in Israel the lawgiver was Yahweh, not the king. In Mari, as elsewhere in the ancient Near East, the king was lawgiver. Deuteronomy contains tests for true and false prophets, to which prophets themselves add other disingenuine marks regarding their contemporaneous prophetic colleagues. Hebrew prophets from the time of Amos onward speak in poetry and are skilled in rhetoric, using an array of tropes and knowing how to argue. Their discourse also contains an abundance of humor and drama. Speaking is supplemented with symbolic action, and in some cases the prophets themselves became the symbol.
Jack R. Lundbom
The history of figurative painting in Islamic lands, although limited to certain regions and periods, includes a meaningful variety of saintly iconographies, mostly as book illustrations. Produced from the turn of the 14th to the early 17th century in Iranian capital cities or in the Ottoman Empire, paintings of prophets illuminate manuscripts of universal histories, encyclopedias, didactic poetry, and anthologies of prophetic biographies (Stories of the Prophets). They depict personages, not necessarily prophets, from the Old and the New Testaments, two Arab prophets mentioned in the Qurʼan, and finally Muhammad (and ʿAli, although he was not a prophet). The acts of these figures served as moral and spiritual models for the individual believers and, no less so, for the desired behavior of Muslim rulers. In Iran, the message of the illustrated texts and their paintings shifts from historical to moral, and often to mystical. In the Ottoman Empire, in addition, the prophets were conceived as forefathers of the Ottoman dynasty. In Moghul India, only Solomon and Jesus were depicted, not very often, while Joseph’s story was quite popular in late Kashmir. The impact of Western iconography and style, which characterize the recurrence of Jesus’ image, is seen also in later Iran, where portrayals of Solomon, Joseph, and Jesus were painted mainly on decorative objects, such as pen boxes and book bindings.
Anne W. Stewart
Do humans have a will capable of choosing the good, doing the good, and evaluating the good? These are the central questions of moral agency, the notion that humans can be morally responsible for their actions, that is, that they are capable of deliberately exercising agency for good or ill. The Hebrew Bible offers multiple perspectives on these questions, and at least three different models of moral agency can be discerned. Some traditions indicate that humans are fundamentally flawed moral creatures who are incapable of choosing the good apart from divine intervention. For example, the psalmist confesses: “I was born guilty, a sinner when my mother conceived me” (Ps. 51:5) and prays for a divine change in the human condition: “Create in me a clean heart, O God, and put a new and right spirit within me” (51:10). Other traditions, however, frequently take the more optimistic view that humans are capable of choosing and acting in accord with the good, though they may not always exercise their inherent capacity to do so. The Deuteronomic law, for example, is based on the notion that humans have the ability to distinguish obedience from disobedience and to act accordingly. Thus humans will reap the consequences of their actions, for God “maintains covenant loyalty with those who love him and keep his commandments, to a thousand generations, and [God] repays in their own person those who reject him … Therefore observe diligently the commandment” (Deut. 7:9–11). In other words, humans are held responsible for their moral choice. A third view, found especially in the book of Proverbs, takes a middle view that moral agency involves a combination of internal and external factors: while most, though not all, humans are inherently capable of choosing the good, their capacity for moral agency requires cultivation by external forces. That is, humans are capable of moral choice, yet their ability to choose according to the good depends upon both an innate receptivity and training by others. The Hebrew Bible thus reflects a diverse set of viewpoints about the status of human moral agency, the extent of human accountability, and the factors that influence human action.
The Hebrew Bible is a book that was primarily written by men, for men, and about men, and thus the biblical text is not particularly forthcoming when it comes to the lives and experiences of women. Other evidence from ancient Israel—the society in which the Hebrew Bible was generated—is also often of little use. Nevertheless, scholars have been able to combine a careful reading of the biblical text with anthropological and archaeological data, and with comparative evidence from the larger biblical world, to reconstruct certain features of ancient Israelite women’s culture. These features include fairly comprehensive pictures of women’s lives as wives and childbearers within Israel’s patrilineal and patrilocal kinship system and of women’s work within the economy of a typical Israelite household. Because the Bible is deeply concerned with religious matters, many aspects of women’s religious culture can also be delineated, even though the Bible’s overwhelmingly male focus means that specific details concerning women’s religious practice must be painstakingly teased out of the biblical text. The Bible’s tendency to focus on the elite classes of ancient Israelite society likewise means that it is possible to sketch a reasonable portrait of the experiences of elite women, especially the women of the royal court, although, again, this information must often be teased out of accounts whose primary interest is elite men.
Biblical laws are found mainly in the Pentateuch (i.e., the first five books of the Hebrew Bible). The laws are linked to the figure of Moses, who is depicted as having received them directly from God in order to transmit them to the people of Israel during the years in the Wilderness after being released from slavery in Egypt. Biblical laws are thus presented as being of divine origin. Their authority was further bolstered by a tradition that they were included in covenants (i.e., formal agreements made between God and the people as recorded in the books of Exodus and Deuteronomy). Similar claims of divine origin were not made for other ancient Near Eastern laws; their authority flowed from kings, who issued the laws, although these kings might also be seen as having been placed on their thrones through the favor of the gods. The biblical law collections are unlike other ancient Near Eastern “codes” in that they include sacral laws (i.e., governing cult, worship, and ritual, as well as secular laws: namely, governing civil, and criminal behaviors). This mingling of sacral and secular categories is the likely reason both for the many terms used to denote the laws, as well as for the unexpected number of formulations in which they are presented. The formulations used in biblical law can be classified as “casuistic” or “non-casuistic.” They are not equally distributed in the books of the Pentateuch nor are they equally used with secular and sacral laws. While there are similarities in content between secular laws found in the Hebrew Bible and laws found in the ancient Near Eastern law “codes,” the latter do not exhibit a comparable variety in the numbers of law terms and formulations. The Hebrew Bible tended to “blur” the differences between the law terms and their formulations, ultimately to the point of subsuming them all under the law term torah (“teaching”) to describe the totality of the divinely given laws in the Pentateuch. Biblical studies in general and Pentateuchal studies in particular are challenged by the fact that manuscripts contemporary with the events described have not survived the ravages the time. Scholars must therefore rely on looking for “clues” within the texts themselves (e.g., the laws cited by the prophets, the reform of Josiah, the teaching of torah by Ezra, and evidence for customs and customary laws found in books of the Hebrew Bible outside of the Pentateuch).
Ryan P. Bonfiglio
With respect to the study of the Old Testament/Hebrew Bible, the term iconography refers to the visual images produced in the ancient Near Eastern world. Various types of ancient Near East (ANE) images are attested in the archaeological record, including monumental reliefs, freestanding statues and figurines, picture-bearing coins and ivories, terracottas, amulets, and seals and their impressions. These artistic materials, which constitute an important component of ancient material culture more broadly, display a wide variety of subject matter, ranging from simple depictions of human figures, deities, divine symbols, animals, and vegetation to more complex visual portrayals of worship scenes, battles, and tribute processions. Despite the presence of legal texts in the Old Testament (OT) that ban the production of divine images, ancient Israel produced, imported, and circulated a wealth of images, mostly in the form of seals, scarabs, and amulets. The study of ANE iconography focuses primarily on the subject matter of images, as opposed to issues pertaining to materiality, technique, style, aesthetics, and provenance. Thus the goal of iconographic investigations is to describe the content of a given image and to interpret the message(s) and ideas it was intended to convey. This process often entails analyzing the development of certain motifs over time and how they were deployed in various historical, religious, and social contexts. In this sense, the study of ancient iconography approaches images not so much as decorative pieces that reflect the creative expressions of individual artists, though stylistic creativity of this sort is sometimes possible to discern. Rather, the study of ancient iconography approaches images as forms of communication that were intentionally commissioned, often by the king, to publicly disseminate specific messages, be they political or religious. At a more basic level, the study of ancient iconography can also enhance the reader’s understanding of what objects and places would have looked like in the ancient world. The relationship between ANE iconography and the OT is complex. With few exceptions (cf. Ezek 23:13), the image-text relation is not simply a matter of biblical authors describing a visual image that they had seen. Neither is it a matter of images being created to depict biblical stories or events. Rather, the connection between ANE iconography and the OT is best understood to operate at a conceptual level. Specifically, literary imagery in the OT often reflects motifs and themes that are also present in the iconographic repertoire of the ancient world. The use of ANE iconography in the study of the OT is most commonly referred to as iconographic exegesis. This method of analysis first surfaced in the early 1970s through the pioneering work of Othmar Keel, at the University of Fribourg, Switzerland, and has since been furthered through the work of loose network of scholars known as the “Fribourg School.” Much of this research has focused on aspects of the canon that are especially rich in literary imagery, such as the Psalms and the Prophets. ANE iconography has also proven to be a valuable primary source in the study of the history of Israelite religion. Of particular interest is the nature and development of ancient Israel’s ban on divine images and the resulting tradition of aniconism—the notion that Yahweh was not to be represented in visual or material form and/or that any divine image was an impermissible idol.