1-2 of 2 Results  for:

  • Keywords: gods x
  • Theology and Philosophy of Religion x
Clear all


While the term theologia crucis itself is most prominent in Luther’s early works, the later texts bear up the scholarly contention that the fundamental contrast between “cross” and “glory,” with its various methodological and theological implications, remains and is in fact amplified throughout Luther’s later writings. Indeed, considered topically, Luther’s treatment of virtually every significant theological locus throughout his canon—e.g., revelation, ecclesiology, and ethics is impacted by his understanding of the cross. “Theology of the cross” in Luther does not refer to a bound set of theological statements but rather a methodological stance in which epistemological fidelity to the modes in which God chooses to reveal himself—in suffering, death, and contradiction to expectation—marks the whole of the theologian’s orientation to knowledge of God and the world. While the theology of the cross in Luther’s deployment certainly touches on sociopolitical and ecclesial realities within his time, it is crucial for readers of Luther to understand that for him the motif was bound up within the total “thickness” of Christian life—the sacraments, prayer, discipleship, etc. In contrast to the temptation to treat the notion as a critical principle that can be detached from this total picture of Christian existence, scholarly attention to Luther must take seriously the ecclesiastically embedded character of theologia crucis—with all of the interweaving strands of inquiry that such embeddedness necessitates—in order to get the full picture of how Luther understood the cross’s impact on theology and the Christian life. The cross is also crucial theologically for Luther because it gets at the core of what he sees the theological project being able to do—deal with God in God’s self-revelation, under the confusing and sometimes seemingly paradoxical terms by which God chooses to engage humanity. Theologia crucis thus stands as the theological putting to death of the Old Adam—who is aligned, for Luther, with theologies of glory—so as to allow the theologian to hear and proclaim the gospel apart from pretension or undue speculation.


Ivana Petrovic

Ancient Greek religion was a polytheistic religion without a book, church, creed, or a professional priestly class. Due to the extraordinarily rich regional varieties in cult, fragmentary evidence and conjectural interpretations of it, conflicting mythological accounts, and the span of time treated, not a single absolute statement can be made about any aspect of Greek religion and exceptions exist for every general rule stated here. Since Ancient Greeks perceived all aspects of nature as either divine or divinely controlled, and all aspects of individual and social life were thought to be subject to supernatural influence, paying proper respect to the gods and heroes was understood to be a fundamental necessity of life. Since no aspect of individual or social life was separate from “religion,” scholars refer to Ancient Greek religion as “embedded.”1 The closest Ancient Greek comes to the English word “religion” are the noun thrēskeia (“acts of religious worship, ritual, service of gods”) and the verb thrēskeuō (“to perform religious observances”). Basic components of religious worship were the construction and upkeep of divine precincts, statues, altars, and temples, the observance of festivals, performance of sacrifices, bloodless offerings and libations, prayer, hymning, and observance of ritual abstinences and purifications. The closest Greek equivalents to “belief” were eusebeia (“reverent piety,” “respect”) and pistis (“trust in others” or “faith”).2 Both words could qualify a relationship between humans, as well as a relationship between humans and a supernatural entity. Since the Ancient Greeks did not have authoritative or divinely sent books of revelation, there was no script telling them what or whom to believe in and outlining the reasons why. The Greeks did not have professional priests who preserved, interpreted, and disseminated religious norms.3 However, Greek literature is brimming with gods, and the stories about the gods, which they (and we) call “myths,” were not only in all their texts, but everywhere around them: depicted on their pottery, painted on their walls, chiseled on the stones of their buildings.4 In the public space, there were countless divine statues, and the temples, altars, sacred groves, and divine precincts were everywhere around them. Ancient Greeks learned about the gods by hearing, watching, and doing: by seeing their parents perform a sacrifice, by observing them as they prayed, swore an oath, or performed libations, by participating in processions, singing and dancing in the chorus, eating the sacrificial meat in the sanctuaries, and by drinking wine, the gift of Dionysus. Ancient Greeks had no immediate need for theodicy, for the gods could be either benevolent, or angry, and their benevolence was perceived as a sign that the worship the community offered was appropriate, whereas natural catastrophes, crippling defeats in wars, or epidemics were interpreted as manifestations of divine anger, provoked by some human error or misstep.5 Ancestral gods and heroes and the traditional way of worshipping them formed the cornerstone of Greek religiosity.