The development of religious architecture in what is now the United States is tied closely to continuing immigration and the development both of de facto and de jure religious pluralism. Prior to the arrival of Europeans, seminomadic Native Americans built temporary structures, while those farther south erected more permanent temples, most notably those of the Aztecs in Mexico. Spanish settlers in what is now the U.S. Sunbelt built mission chapels, with those in California incorporating a mixture of styles and building techniques derived from Spanish, Moorish, and indigenous traditions. Puritans in New England and Quakers in Pennsylvania erected meeting houses, architecturally simple structures based on secular models and eschewing the notion of “sacred space.” Anglicans from Boston to Charleston imported English neo-classical models devised by Sir Christopher Wren and Sir James Gibbs in the mother country, devised to accommodate Anglican sacramental worship. Later classical styles, especially the Roman and Greek revivals, reflected the republican ethos of the New Republic and were adopted by a whole range of religious traditions including Catholics and Jews. Urbanization and enhanced immigration following the Civil War saw adaptations by Protestants, including auditoriums, institutional churches, and the Akron Plan; by Jews, who invented a new, eclectic style for synagogues and temples; by Anglicans, who revived English Gothic traditions for churches and cathedrals; and by Roman Catholics, who turned to Continental Gothic for their inspiration. Mormon temples, beginning in Salt Lake City, took on new forms after that faith spread across the nation. During the post-WWII era, the colonial revival style became popular, especially in the South, reflecting patriotic and regional values. Following the immigration reform of 1965, waves of newcomers from Asia and the Middle East brought their traditional mosques and temples, often considerably modified for worship in the diaspora. Religious architecture, like the nation at large, has reflected an ongoing process of change, adapting old forms and inventing new ones to accommodate changing demographics, settlement patterns, and the necessities of living in a pluralistic society where religion is protected but not supported by the government.
Peter W. Williams
Jeanne Halgren Kilde
Religions are fundamentally spatial, as they require space in which to assemble, to engage in ritual practices, and to form community. Every religious group that has existed in the United States has made a spatial imprint on the country, and that spatiality—that physical character—is also a constitutive component of religious experience. Spaces not only host religious practices but also contribute to their meaning and salience. Thus, understanding religious life in America includes understanding the spaces in which it occurs. The diversity of religious life in America is apparent from the countless religious spaces and buildings that have occupied the national landscape, including Native American earthworks and burial mounds, Catholic and Protestant missions and churches, Jewish synagogues, Islamic mosques, Hindu and Buddhist temples, and Sikh gurdwaras. But how are we to understand these diverse buildings and spaces? The location of built spaces and the totality of the landscape in which they exist constitute a religioscape, within which they provide information about their religious communities through their size, location, and architectural style. The internal organization and spatial plans of these built spaces also provide information on liturgical and congregational functions and efforts to facilitate religious experiences and establish and maintain authority or power. Considering both these aspects of religious space and architecture provides insight into how religious diversity functions in the United States and how groups have expressed their religious beliefs and interests and interacted with others to cooperate and compete within the American landscape.