Concepts of religion and humanity form an integral component of Mesopotamian narrative literature, and these ideas are evidenced in the frequent exploration of themes involving mortality and immortality, power and authority, and creation and destruction. Through the use of plot, characterization, literary themes and techniques, and also structure, Mesopotamian myths and epics transmit religious ideas and beliefs, as well as informing on cultural identity and meaning. In both oral and written transmission, storytelling is a powerful medium for exploring ancient theology.
Religious ideas are expressed in a wide array of Mesopotamian literary works, and while some features, such as the polytheistic view of the divine hierarchy, remain generally constant, different texts and “genres” show changes in focus and in the perception of the divine and the human. While deities and supernatural creatures have a prominent role in literature, Mesopotamian myth is not only concerned with theistic matters, but also with what it means to be human.
It is often observed in modern scholarly works that humans, in the Babylonian Flood narrative of Atrahasis, and the creation myth of Enuma Elish, were born to serve the gods and perform their menial tasks. This is undoubtedly an important observation for the analysis of humanity and religion, yet the presentation of human/divine relations as one of simple subjection gives a misleading and superficial impression of the interaction between the mortal and divine spheres, one that is at odds with the subject’s complexity, variety, and subtlety.
Myths and epics provide a multifaceted picture of a number of different types of relationships between gods and humans: even in the narrative of Atrahasis, individual deities interact with humans in different ways; there is no “one size fits all” divine connection in Mesopotamian literature. Despite a rigid hierarchy in favor of the divine, these relationships are frequently close, involving strong emotional bonds. The human/divine connection is not solely beneficial to either party, but reciprocal and often mutually rewarding. At the same time, the relations between humans and deities can be destructive and damaging—with the harm most often depicted to occur on the human side, possibly because of the vulnerability offered by mortality and the lack of supernatural abilities. Humanity is reflected in the anthropomorphic representations of deities and also the sociomorphism of their family-oriented community structure. For heroes of epic literature, the divine connection can be perilous, but also rewarding. The success of heroes in accessing divine support is frequently (but not exclusively) linked to the morality of their actions.
Religion and humanity in literature concern not only deities’ interactions with humans, but also how the authors of literature conceptualized and gave meaning to the human condition. It is clear from Mesopotamian literature that close, positive relationships with the divine were important for survival and success during the human lifespan (and even beyond), yet at the same time, the answer to questions of finding meaning in mortal existence is at times presented in very human terms. Love, alongside shared human achievements and experiences, is presented in several literary sources as essential for giving meaning to the human condition.