Reduplication is a word-formation process in which all or part of a word is repeated to convey some form of meaning. A wide range of patterns are found in terms of both the form and meaning expressed by reduplication, making it one of the most studied phenomenon in phonology and morphology. Because the form always varies, depending on the base to which it is attached, it raises many issues such as the nature of the repetition mechanism, how to represent reduplicative morphemes, and whether or not a unified approach can be proposed to account for the full range of patterns.
Literary, aesthetic, and theoretical negotiations of repetition tend to focus on the category of repetition as a feature of spoken or written discourse, or visual or audible patterning, instantiated so as to produce a specific effect, such as of monotony or interruption. This effect is based upon a normative assumption that discourse will be structured according to a decorous balance between same and difference; when this decorum is not observed, a marked effect is realized. However, is repetition merely an aesthetic category deployed for local or ephemeral emotional or sematic emphasis? Given that exact repetition is perforce an impossibility, since no two moments are ever the same, nor is one moment the same as itself, what are the implications of this tension between an effect of sameness and an awareness of its impossibility? Are these implications ontological or metaphysical in character?
Shana K. Carpenter
The spacing effect (also known as distributed practice) refers to the finding that two or more learning opportunities that are spaced apart, or distributed, in time produce better learning than the same opportunities that occur in close succession. A number of theories have been proposed to account for the spacing effect. These include deficient processing, encoding variability, study-phase retrieval, and consolidation. According to the deficient processing account, learning opportunities that are spaced apart in time, compared to non-spaced or “massed” learning opportunities, are more likely to receive a learner’s full attention, ultimately leading to better quality learning. The encoding variability account proposes that spaced learning opportunities, because they are separated in time, are more likely to be associated with a number of different contextual cues that can benefit later memory for the information learned. Study-phase retrieval is based on the premise that retrieval benefits learning, and spaced learning opportunities are more likely than massed learning opportunities to involve retrieval of the previous learning experience. More recent evidence suggests that spacing learning opportunities across different days may benefit memory due to sleep-dependent neural consolidation processes. Research in authentic educational contexts shows that spacing benefits learning of a wide variety of materials, from basic facts to complex scientific concepts and skills. Regarding the practical question of when spaced learning opportunities should occur, the ideal scheduling of these opportunities depends upon how long the information needs to be remembered in the future, such that retention over longer intervals of time benefits most by longer spacing between repeated learning opportunities. Despite its promise for enhancing student learning, spacing can be challenging to implement in authentic educational contexts due to the intuitive notion that immediate repetition is better for learning, and the difficulties involved in setting a spaced study schedule in advance and adhering to it. To realize the full potential of spacing to enhance educational practices, future studies are needed that can measure implementation of spacing by students and teachers in real educational environments.
The repetition and reframing of styles, forms, and texts variously known as pastiche, parody, intertextuality, appropriation, or sampling is a pervasive practice in Asian American literature. Since the emergence of Asian American literary studies in the 1970s, such strategies have formed a key site for negotiating the terms of Asian American identity, politics, and culture. While pastiche has been recognized as a signature style of postmodern culture at large, it has held particular significance for Asian American literary and cultural studies because of its resonance with Asian American identity. Because Asian Americans have long been stereotyped as mimics of Western culture, and because the category Asian American refers to a coalition of multiple and diverse ethnic groups, Asian American identity itself seems constituted by the formal operations of imitation and recombination central to parody and pastiche. The close alignment between Asian American identity and these formal practices has made shifting critical attitudes toward parody, pastiche, and intertextuality into a telling register of evolving conceptions of Asian American identity. In the cultural nationalist era of the 1970s, pastiche was seen as the formal expression of Asian Americans’ tendency to repeat and reproduce dominant ideologies, a sign of complicity with white racism, and a lack of cultural integrity. By contrast, a second wave of Asian American criticism in the 1990s embraced strategies of textual repetition as subversive parody rather than complicit pastiche, reinterpreting them as articulations of a politically oppositional, hybrid and heterogeneous Asian American subject. Since the turn of the millennium, the use of parody, pastiche, and intertextuality in Viet Nguyen’s prize-winning 2015 novel The Sympathizer intimates yet another iteration of Asian American identity centered on the war refugee, a model of Asian American subjectivity which shifts attention from traditional topics of immigration and assimilation to urgent questions of imperialism and militarism. Taken together, these examples demonstrate how the formal strategies of parody, pastiche, and intertextuality have served as crucial sites for the invention and reinvention of Asian American identity, politics, and aesthetics.
Within communication studies, critical and cultural scholars will likely encounter psychoanalytic methods by way of rhetoric scholarship, which has made plentiful and recurring use of Freudian and Lacanian concepts. A survey of psychoanalytic methods “before” and “after” the linguistic turn is offered—juxtaposing key concepts with rhetorical scholarship that employs psychoanalytic terms of art. Psychoanalytic theory is foundationally the study of the unconscious. Before the linguistic turn, the Freudian theory of the unconscious informed Kenneth Burke’s theory of identification developed in A Rhetoric of Motives and numerous Jungian analyses of cinematic texts. In the linguistic turn’s aftermath, the psychoanalytic theory of Jacques Lacan contributed understandings of speech, identification, and rhetoric that transformed Freud’s original formulations and productively supplemented Burke’s. These contributions, captured in Lacan’s four fundamental concepts of psychoanalysis, registers of the unconscious, and The “Seminar on ‘The Purloined Letter,’” illustrate a variety of ways that critical and cultural scholars have enlisted psychoanalysis to describe instances of public address, social movements, political and legal discourse, and cinema/film. The unique feature of Lacan’s approach is that the unconscious is structured like a language, which means that the unconscious is received as a speech act. Moreover, contrary to the view that the subject uses the signifier, Lacan maintains that the signifier exercises an organizing role over the subject and its desire. Conceived within the history, theory, and practice of rhetoric, psychoanalytic theory offers conceptually rich insights tethered to the concepts of the unconscious, the signifier, and the drive (among others) that are enabling to the aims of critical and cultural studies.
Sergio Andres Cabello and Joaquín Giró Miranda
Education is one of the pillars of the welfare state in Spain, and one of the main ways of reducing inequalities and, potentially, integrating members of the immigrant population. Schools serve to promote social and cultural integration of foreign students and their families. Spain, although its history as a country of immigration has been short, has been quite efficient in integrating the emigrant population, especially at school. It is important to bear in mind that schools and the school environment are the main point of encounter between families of different cultures. There were significant difficulties incorporating foreign students in schools in the first decade of this century. The importance of integration in the process of normalizing relations between immigrant families and schools has been indisputable. However, one of the main difficulties with this integration has been the poorer performance and academic achievement of foreign students in the Spanish education system. Foreign students’ performance is significantly different. For example, they achieve significantly lower grades in the different standardized tests (Programme for International Student Assessment (PISA)), e.g., and higher rates of dropout, academic failure, and grade repetition. However, it is also true that these differences are significantly smaller for second-generation students born in Spain of immigrant parents. Faced with these facts, there have been numerous theoretical analyses and research projects that have tried to determine which variables affect this situation and which of them can be attributed to immigration, excluding any other socioeconomic factors. The results and the academic attainment of foreign- and immigrant-origin students in the Spanish education system are associated with some factors attributed to immigration. One of the most important is school segregation processes and their consequences for the educational and social integration of this group. Likewise, the financial crisis that has affected public policy and the Spanish welfare system, with the resulting budget cuts in education, has conditioned compensatory measures and attention to diversity.