1-16 of 16 Results

  • Keywords: pan-Africanism x
Clear all

Article

Women played a central role in the development of Pan-Africanism. It can even be claimed that it was a woman, the South African Alice Kinloch, who initiated the modern Pan-African movement at the dawn of the 20th century. In the early 21st century it has become fashionable, mainly in some academic circles in the United States, to use the term “Black Internationalism” as an alternative to Pan-Africanism. This phrase was also first coined by a woman, Jeanne Nardal, an influential and important Martinican writer in Paris in the 1920s, who used the term internationalisme noir to refer to the growing links between “Negroes of all origins and nationalities.” There is no doubt that she also used the phrase to refer to the growing Pan-Africanism of the period, and therefore it is difficult to see what distinguishes the two terms. There has never been one universally accepted definition of exactly what constitutes Pan-Africanism. It has taken different forms at different historical moments and geographical locations. What underlies the manifold visions and approaches of Pan-Africanism and Pan-Africanists is a belief in the unity, common history, and common purpose of the peoples of Africa and the African diaspora and the notion that their destinies are interconnected. In addition, many would highlight the importance of the liberation and advancement of the African continent itself, not just for its inhabitants but also as the homeland of the entire African diaspora. Pan-Africanist thought and action is principally connected with, and provoked by, the modern dispersal of Africans resulting from the trafficking of captives across the Atlantic to the Americas, as well as elsewhere. The largest forced migration in history, and the creation of the African diaspora, was accompanied by the emergence of global capitalism, European colonial rule, and anti-African racism. Pan-Africanism evolved as a variety of ideas, activities, organizations, and movements that, sometimes in concert, resisted the exploitation and oppression of all those of African heritage; opposed and refuted the ideologies of anti-African racism; and celebrated African achievement, history, and the very notion of being African. Pan-Africanism looks forward to a genuinely united and independent Africa as the basis for the liberation of all Africans, both those on the continent and in the diaspora. However, it should be made clear that historically there have been two main strands of Pan-Africanism. The earlier form emerging during and after the period of trans-Atlantic enslavement originated from the African diaspora and stressed the unity of all Africans and looked toward their liberation and that of the African continent. The more recent form emerged in the context of the anti-colonial struggle on the African continent in the period after 1945. This form of Pan-Africanism stressed the unity, liberation, and advancement of the states of the African continent, although often recognizing the importance of the diaspora and its inclusion. The continental focus of this form of Pan-Africanism can be seen in the orientation and activities of such organizations as the Organisation of African Unity and the African Union. The more recent continental form of Pan-Africanism is likely to include the peoples and states of North Africa, while the earlier form sometimes does not. Although women such Alice Kinloch and Jeanne Nardal have played an important role in the emergence and development of the modern Pan-African movement and its ideologies, there have been few studies devoted solely to women’s involvement with Pan-Africanism. Some significant organizations such as the Pan-African Women’s Organisation, founded in 1962 and still in existence, have no written history and have therefore been excluded from many accounts. It is evident that women were generally less prominent than men in the Pan-African movement, but also that the literature has often overlooked, underestimated, and sometimes ignored the role of women.

Article

The African Union (AU), an international organization comprising all 54 independent states in Africa and Western Sahara, was established in May 2001 to, among other things, promote regional integration, interstate solidarity, peace, good governance and to enhance the African voice in the global system. Pan-African organization is like the proverbial forest that has bad trees dotted around its many good trees. The AU has been very successful in addressing the needs of the African political class but it is yet to make a significant difference in the lives of many ordinary Africans. The importance of the pan-African organization to African political elite is such that they would have created it today if it did not already exist. The AU has socialized African leaders to accept liberal values as the foundation of international cooperation in Africa; enhanced the agency of African political class on the world stage; and established progressive and innovative rules and norms for the African continent. It has also created many useful decision-making structures that have contributed to the prevention, management, and resolution of conflicts in Africa. The AU has, however, been less successful in connecting its activities and programs to many ordinary Africans; providing common public goods and services valued by commoners in Africa; giving voice to the majority of young people in Africa; promoting intra-Africa trade, good governance, and financial independence of the African continent as well as struggled to address the expressed material needs and quotidian concerns of ordinary Africans.

Article

Michelle Sikes

African politics have always had a significant effect on sport, despite cherished mantras that sport and politics are mutually exclusive. Conversely, sport has played a meaningful role in the politics of African nations, from nation-building to widening foreign policy options, to making national alliances of countries that may not have otherwise supported each other, particularly with respect to the anti-apartheid struggle. Twentieth-century African politics have been a laboratory for the testing and ultimate debunking of the long-standing notion that African sport (or any human activity) exists in a vacuum, apart from the political realities of the culture within which it exists.

Article

The Black Atlantic and the African Diaspora refer to overlapping geographic and historical concepts each representing a complex series of dispersals, connections and reconnections, interactions, engagements and disengagements, and conflicts. As a geographic, spatial, and historical subset of the African Diaspora, the Black Atlantic refers to the sustained contacts and connections among the peoples of Atlantic Africa, Europe, and the Americas beginning with the “Age of Reconnaissance” (1306–1484) and the “Age of Contact” (1482–1621) and extending into the present. One of the first acts in the creation of the Black Atlantic can be located within the story of Mansa Qu, Islamic emperor and explorer from the western Sudanic empire of Mali, who commissioned two oceanic voyages to discover the western extent of the Atlantic between 1307 and 1311. Reconnaissance expeditions of this sort, launched by both Atlantic Africans and later by Iberians in the 14th and 15th centuries, helped create knowledge networks and webs of interconnections that would become critical to the later formation of the Black Atlantic. At the core of many of these earlier efforts to explore the world around them were the religious pursuits and goals—both Christian and Islamic—on the part of Atlantic Africans and Iberians. Delegations of Christian monks and pilgrims from Ethiopia visited the Italian peninsula, Iberia, and other parts of Europe beginning in 1306 seeking pan-Christian alliances against common Muslim foes. These early delegations fueled later Iberian imaginations about the existence of Prester John—an eastern defender of Christendom believed by the early 15th century to preside over an East African kingdom. In part, the protracted search for the mythical Prester John in Africa by the Portuguese after 1415 set in motion sustained contacts between Iberia and Atlantic Africa highlighted by the creation of Iberian-African settlements along the Atlantic African coast and in the Atlantic Islands, the transfer of enslaved labor to the Americas via the Atlantic Slave Trade, and the beginnings of sugar plantations and slave societies in the Caribbean and Brazil by the mid-16th century. Centuries of sustained contact of this nature spawned a range of cultural formations, the processes of ethnogenesis, and the creation of new transnational identities in the littoral regions and beyond of the four continents that frame the Atlantic Ocean. Creolization, the unique confluence of Atlantic cultures, served as the foundation for reinvented peoples across the Western Hemisphere who remembered, activated, and re-created “Africa” while attending to New World realities of racial slavery and hierarchy. This process of creolization created a range of ethnocultural permutations, from Atlantic Creoles to a wide array of neo-African ethnic groups in the Americas (e.g., Eboes, Coromantees, Congos, Nâgos, and Lucumís). Within this diverse cultural matrix and the processes of cultural mixing, religious and spiritual worldviews were among the most significant articulations of Black Atlantic and creole cultures. Indeed, there is no other way to decode the intricacies of Cuban Santería, Brazilian Candomblé, Haitian Voudou, New Orleans Hoodoo, Jamaican Myalism, or Obeah without framing them in the context of the cultural negotiations among many Atlantic African peoples made necessary by the suffocating confines of racial slavery and more recent socio-racial hierarchies embedded within Western Hemisphere colonialism, Jim Crow in the United States, and other manifestations of white supremacy

Article

While the single most consequential event in Africa during the 19th century was European colonization of the continent, most of the century was characterized by tremendous growth and innovation in African political and economic institutions, as well as the expansion of literacy and the development of enduring intellectual traditions. Many African societies were making strides toward the creation of new self-governing nations over the course of the 19th century, as the ending of the transatlantic slave trade made way for the development of new industries and commercial systems. Large powerful states governed in numerous places across the continent, including the Sokoto and Tukulor Empires, Asante, Dahomey, Egypt, Buganda, Bunyoro, and Ethiopia. Many African states had powerful armies and distinct political identities. The emergence of modernities in 19th-century Africa also came in the form of religious change. This era saw the expansion of Islam in rural areas of western, northern, and eastern Africa, accompanied by the rapid growth of Islamic education and literacy. At the same time, Christian mission societies facilitated the establishment of mission schools and colleges based on European institutions of higher education. The new class of mission-educated African elites included teachers, clergymen, doctors, civil servants, law clerks, journalists, private entrepreneurs, and academics. These individuals, mostly men, had a profound influence on African visions of modern nationhood, particularly in West and Southern Africa. In many ways, Africa was becoming modern in the decades prior to the European conquests of the late 19th century. For the purposes of this article, “modernity” refers to the cultural and social revolution that accompanied the rise of industrial capitalism and included an expansive universalism. The development of modernity in Africa and elsewhere was linked to the new age of science, economics, realism, rationalism, and humanism dawning toward the end of the 18th and start of the 19th century. In particular, the newly founded colonies of Sierra Leone and Liberia became centers for the diffusion of African-American cultural influence, as liberated former slaves and their descendants from the British Empire, the United States, maroon communities, and captured slave ships settled there. In order to appreciate the 19th-century development of African modernity, it is important to remember, as A. Adu Boahen once explained, that European colonization of the African continent occurred suddenly and unpredictably. As late as 1880, there was little indication that European nations intended to dramatically alter the map of Africa by force. Most African states and societies were entirely autonomous and controlled by their own rulers. The unexpected European conquest of African territories at the end of the 19th century thwarted much of the progress Africans had made throughout that century and arguably reversed key processes of modernization. And while colonial regimes also introduced new modernities into Africa, these were mainly destructive and exploitative in nature.

Article

From the 1950s through the 1970s, several liberation movements emerged in Lusophone Africa (Angola, Mozambique, Guinea-Bissau, São Tomé and Príncipe, and the Cape Verde Islands) that fought for independence from Portugal. One of the most significant ideological frameworks that informed the political orientation of these movements was socialism. In Lusophone Africa, several liberation leaders gravitated toward the economic and political potentialities inherent in the discourses and practices of pan-Africanism and Afro-socialism. The liberation movements in Lusophone Africa that most identified with a socialist paradigm were the Movimento Popular de Libertação de Angola (MPLA of Angola); Frente de Libertação de Moçambique (FRELIMO of Mozambique); Partido Africano da Independência da Guiné e Cabo Verde (PAIGC of Guinea-Bissau and the Cape Verde Islands); and Comité de Libertação de São Tomé e Príncipe (CLSTP—later, MLSTP—of São Tomé and Príncipe). These groups suffered the burden of Portuguese colonialism and actively fought for independence from colonial rule. Although several other liberation movements also emerged in the Lusophone colonies, these four movements most espoused the hallmarks of Afro-socialism to challenge Portuguese colonial rule. All four liberation movements maintained networks with international actors opposed to colonialism, as well as diplomatic connections with sympathetic socialist and communist nations. Most notable among these bases of support were the Conferência das Organizações Nacionalistas das Colónias Portuguesas (CONCP) and the governments of Tanzania, Egypt, Guinea, the People’s Republic of China, East Germany, the Union of Soviet Socialist Republics (USSR), and Cuba.

Article

Colita Nichols Fairfax

Afrocentric social work is a concept and praxis approach applicable in environmental and global settings where people of African descent are located. Using concept analysis as a methodology, this article explores Afrocentric social work theory and its applicability in the social sciences. Concept analysis is an examination of a thought or theory with the intent to create a more concise operational definition. Afrocentric social work not only is applicable to racial and social justice issues, it also is applicable to intellectual and philosophical discourses of social work, which has largely ignored Afrocentric social work as a viable theory and philosophical canon. The Walker and Avant method of concept analysis is employed in this article to provide a systemic discourse to define the attributes of Afrocentric social work, as well as its structural elements that scholars and practitioners utilize as a theory and praxis application.

Article

West Africa and the African diaspora share an intertwined history. From the earliest moments of the development of the diaspora, West Africans and members of the African diaspora have sought ways to connect to each other. They have done so through the exploration of cultural links, travel back and forth between West Africa and the diaspora, and the development of shared philosophical and political movements. They have celebrated the idea of a collective “African” identity shaped by people on both sides of the Atlantic including the Pan-African Movement, the New Negro Movement, and Negritude. The late 20th century has seen the travel of diasporic subjects to West African countries including Ghana, the Gambia, and Senegal, which have fashioned themselves as African homelands. Artists, activists, and migrants continue to travel back and forth between West Africa and various points in the African diaspora and, in doing so, shape the contours of the Black Atlantic World. The continuous communication and contact between West Africa and the diaspora constitute an ongoing dialogue that has led to cultural innovations on both sides of the Atlantic.

Article

Liberation movements in Africa are nationalist movements that have resorted to armed struggle to overthrow colonialism, white minority rule, or oppressive postcolonial governments. Claiming to represent the national will, some are intolerant of opposition, others dubious of the legitimacy of multiparty democracy: this difference is a reflection of whether the military wing of the liberation movement dominates the political movement or whether the reverse situation applies. In the post–Cold War era, liberation movements espouse notions of the “developmental state,” continuing to ascribe the state a primary role in economic development event though they may simultaneously embrace the market. The extent to which they subordinate political considerations and freedoms to the pursuit of economic growth dictates whether they pursue paths of authoritarian development or developmental stagnation

Article

Ana Deumert

The concept of Africa requires reflection: what does it mean to study a social phenomenon “in Africa”? Technology use in Africa is complex and diverse, showing various degrees of access across the continent (and in the Diaspora, and digital social inequalities—which are part and parcel of the political economy of communication—shape digital engagement. The rise of mobile phones, in particular, has enabled the emergence of technologically mediated literacies, text-messaging among them. Text-messaging is defined not only by a particular mode of communication (typically written on mobile phones, visual, digital), but it also favors particular topics (intimate, relational, sociable, ludic) and ways of writing (short, non-standard texts that are creative as well as multilingual). The genre of text-messaging thus includes not only short message service (SMS) and (mobile) instant-messaging (which one might call prototypical one-to-one text messages), but also Twitter, an application that, like texting, favors brevity of expression and allows for one-to-many conversations. Access to Twitter is still limited for many Africans, but as ownership of smartphones is growing, so is Twitter use, and the African “Twittersphere” is emerging as an important pan-African space. At times, discussions are very local (as on Ghanaian Twitter), at other times regional (East African Twitter) or global (African Twitter and Black Twitter); all these are emic, folksonomic terms, assigned and discussed by users. Although former colonial languages, especially English, dominate in many prototypical text messages and on Twitter, the genre also provides important opportunities for writing in African languages. The choices made in the digital space echo the well-known debate between Chinua Achebe and Ngũgĩ wa Thiong’o: the Africanization of the former colonial languages versus writing in African languages. In addition, digital writers engage in multilingual writing, combining diverse languages in one text, and thus offer new ways of writing locally as well as shaping a digitally-mediated pan-African voice that draws on global strategies as well as local meaning.

Article

Since the founding of the United States of America, coinciding with the height of the Atlantic slave trade, U.S. officials have based their relations with West Africa primarily on economic interests. Initially, these interests were established on the backs of slaves, as the Southern plantation economy quickly vaulted the United States to prominence in the Atlantic world. After the U.S. abolition of the slave trade in 1808, however, American relations with West Africa focused on the establishment of the American colony of Liberia as a place of “return” for formerly enslaved persons. Following the turn to “legitimate commerce” in the Atlantic and the U.S. Civil War, the United States largely withdrew from large-scale interaction with West Africa. Liberia remained the notable exception, where prominent Pan-African leaders like Edward Blyden, W. E. B. DuBois, and Marcus Garvey helped foster cultural and intellectual ties between West Africa and the Diaspora in the early 1900s. These ties to Liberia were deepened in the 1920s when Firestone Rubber Corporation of Akron, Ohio established a long-term lease to harvest rubber. World War II marked a significant increase in American presence and influence in West Africa. Still focused on Liberia, the war years saw the construction of infrastructure that would prove essential to Allied war efforts and to American security interests during the Cold War. After 1945, the United States competed with the Soviet Union in West Africa for influence and access to important economic and national security resources as African nations ejected colonial regimes across most of the continent. West African independence quickly demonstrated a turn from nationalism to ethnic nationalism, as civil wars engulfed several countries in the postcolonial, and particularly the post-Cold War, era. After a decade of withdrawal, American interest in West Africa revived with the need for alternative sources of petroleum and concerns about transnational terrorism following the attacks of September 11, 2001.

Article

Why have there been no successful military interventions or civil wars in Tanzania’s nearly 60 years of independence? This one historical accomplishment, by itself striking in an African context, distinguishes Tanzania from most of the other post-1960 independent African countries and focuses attention on the possibilities and nature of successful civil–military relations in sub-Saharan Africa. Contrary to most civil–military relations theory, rather than isolating the military in order to achieve civilian oversight, Tanzania integrated the military, the dominant political party, and civil society in what one observer called a combination of “political militancy” and “antimilitarism,” somewhat akin, perhaps, to the Chinese model. China did provide intensive military training for the Tanzanians beginning in the 1960s, although this could in no way have been expected to ensure successful integration of the military with civil society, nor could it ensure peaceful civil–military relations. Eight potentially causal and overlapping conditions have been outlined to explain this unique absence of civil–military strife in an African country. Relevant but admittedly partial explanations are: the largely salutary and national developmental role of the founding president, Julius Nyerere; the caution and long-term fear of military intervention engendered by the 1964 East African mutinies; Tanzania’s radical foreign policy as a Frontline State; its ongoing territorial disputes with Uganda and Malawi; concerted efforts at coup-proofing through the co-opting of senior military commanders; and the country’s striking ethnic heterogeneity, in which none of the 125 plus ethnolinguistic tribes had the capacity to assume a hegemonic dominance. Each factor has a role in explaining Tanzania’s unique civil–military history, and together they may comprise a plausible explanation of the over 50 years of peaceful civil–military relations. They do not, however, provide a hopeful prognosis for future civil–military relations in a system that is increasingly challenging the dominant-party state, nor do they account for Tanzania’s subsequent democratic deficit.

Article

John C. McCall

Motion picture technology developed at the dawn of the 20th century, just as the formal colonization of Africa was launched at the Berlin Conference of 1884–1885. While it took a few decades for cinema houses to spread in West Africa, by mid-century the colonial administrations began to use film as a means for conveying colonial culture to African subjects. For the British and French colonials, film was a means to shape public opinion. Both British and French colonial administrations criminalized indigenous filmmaking for fear of the subversive potential of anti-colonial messages—film communicated in one direction only. When West African nations became independent in the late 20th century, these restrictions vanished and Africans began to make films. This process played out differently in Francophone Africa than in Anglophone countries. France cultivated African filmmakers, sponsored training, and funded film projects. Talented and determined filmmakers in Anglophone Africa also struggled to produce celluloid films, but unlike their counterparts in former French colonies, they received little support from abroad. A significant number of excellent celluloid films were produced under this system, but largely in Francophone Africa. Though many of these filmmakers have gained global recognition, most remained virtually unknown in Africa outside the elite spaces of the FESPACO film festival and limited screenings at French embassies. Though West African filmmakers have produced an impressive body of high-quality work, few Africans beyond the intellectual elite know of Africa’s most famous films. This paradox of a continent with renowned filmmakers but no local film culture began to change in the 1990s when aspiring artists in Nigeria and Ghana began to make inexpensive movies using video technology. Early works were edited on VCRs, but as digital video technology advanced, this process of informal video production quickly spread to other regions. The West African video movie industry has grown to become one of the most prominent, diverse, and dynamic expressions of a pan-African popular culture in Africa and throughout the global diaspora.

Article

Black internationalism describes the political culture and intellectual practice forged in response to slavery, colonialism, and white imperialism. It is a historical and ongoing collective struggle against racial oppression rooted in global consciousness. While the expression of black internationalism has certainly changed across time and place, black liberation through collaboration has been and remains its ultimate goal. Since the emergence of black internationalism as a result of the transatlantic slave trade and during the Age of Revolutions, black women such as the poet Phyllis Wheatley and evangelist Rebecca Protten have been at its forefront. Their writings and activism espoused an Afro-diasporic, global consciousness and promoted the cause of universal emancipation. During the 19th century, black women internationalists included abolitionists, missionaries, and clubwomen. They built on the work of their predecessors while laying the foundations for succeeding black women internationalists in the early 20th century. By World War I, a new generation of black women activists and intellectuals remained crucial parts of the International Council of Women, an organization founded by white suffragists from the United States, and the Universal Negro Improvement Association, a global organization formally led by Jamaican pan-Africanist Marcus Garvey. But they also formed an independent organization, the International Council of Women of the Darker Races (ICWDR). Within and outside of the ICWDR, black women from Africa and the African Diaspora faced and challenged discrimination on the basis of their sex and race. Their activism and intellectual work set a powerful precedent for a subsequent wave of black internationalism shaped by self-avowed black feminists.

Article

Amina Mama

African feminist thought refers to the dynamic ideas, reflections, theories and other expressions of intellectual practices by politically radical African women concerned with liberating Africa by focusing women’s liberation, and as such cannot be easily defined or captured. However, the conditions out of which Africa’s feminist movements form, and the intellectual labor that they carry out in the pursuit of women’s rights and freedoms can be explored and discussed. African feminist thought is the potentially limitless product of movements that are themselves constantly in the making, succeeding in changing the conditions of their formation by their very existence. African feminist political thought can be traced to the world’s women’s movements that formed in the context of transnational liberal and emancipatory political discourses of the late 19th and 20th centuries of European empire. Out of these liberal emancipatory reformist, international labor, communist, socialist revolutionary, and Pan-African Diasporic and African nationalist movements were all formed. However, following the flag independence of over fifty nation-states, women who joined the anti-colonial freedom movements have had to pursue further struggles in independent nation-states, because Africa’s new states often hesitated or reverted to conservative patriarchal views when it came to extending freedom and equality to African women. It is as citizens of new nations that 20th century African women have formed independent feminist movements that continue to demand freedom, equality and rights, for example, by seeking freedom of movement, political representation, educational and economic equality, and perhaps most commonly of all, freedom from sex and gender-based violence. Contemporary publications and writings by African feminists are the primary sources consulted here, because of the need to correct the spurious mis-representation of African feminism as “un-African,” a position that hinges on the definition of feminism as exclusively Western. This view is advanced by conservative African men and women who seek the restoration of pre-colonial cultures, as well as in some of the early scholarly literature on the subject. African feminism is a radical proposition: it refers to the liberatory political philosophies, theories, writings, research and cultural production, as well as the organizing work of the transnational community of feminists from Africa. These respond to objective conditions of global systemic inequality that have led African women to resume the struggle for freedom and liberation. African feminists in 2019 identify with earlier generations of women freedom fighters but enunciate visions of a future in which the women of Africa will be afforded human rights and freedoms, on a continent liberated from a global neoliberal capitalist system that continues to marginalize the vast majority of the world’s peoples and exploits natural and human resources to a degree that now threatens planetary survival.

Article

Eshete Tibebe

Emperor Haile Selassie I is a household name in Africa and across the globe. His name evokes a variety of feelings in people. To the radical elite of the 1970s he was seen as despot; for the older generation of the same period, he was a redeemer who restored the nation’s independence. For people of African descent Haile Selassie echoes an iconic significance of pride and black identity. The Emperor was a complex personality, preventing anyone from viewing him from a singular optic. No single conceptual category can encapsulate Haile Selassie; not facile Western constructs such as absolutist, reformer, or modernizer or autocrat. All constructs touch aspects of his many-ness, and none wholly reflect the complexity and multiplicity of his character and actions. His life and political career were shaped by various domestic and external circumstances. Changing local and global dynamics molded his thoughts, actions, persona, and policies. The Emperor presided for the most part of his reign over a nation whose state structure was, by and large, weak: hence the sense of incumbency he felt to guide the process of the nation’s progress under the care of a father figure. Managing the unity of a multiethnic and multireligious nation with a complex history was a political experiment entailing huge responsibilities and challenges. His story is not easy to tell since it is shrouded in paradoxes and ironies. In understanding the Emperor and his leadership style, it is vital to put him in the context of the many-layered history of the nation and the changing political dynamics of Africa. Haile Selassie led a nation rapidly encountering social and political changes in the 20th century while at the same time championing pan-Africanism. Thus, there is a great need to present a full picture and a nuanced contribution to understanding this influential Emperor.