1-10 of 10 Results  for:

  • Keywords: preaching x
Clear all


Liturgical and Ceremonial Art: Preaching and Visual Culture in the Early Modern World  

Nirit Ben-Aryeh Debby

A challenging issue in the field of religious studies is the relationship between preaching and art, particularly the manner in which preachers used works of art in their preaching and described specific pictures in their sermons; the way theological discourse influenced religious architecture; and the form and function of the preaching platform, whether a pulpit in Christianity, the minbar in Islam, or the bima in Judaism. There is a growing interest in the interrelationships among art, performance, and preaching in the early modern world; there has also been recent engagement in the way visual culture enhanced the power that preachers had over their audiences, and the interactions between preaching and visual culture in the various European and Mediterranean communities. When approaching this topic, one should apply an interdisciplinary approach by focusing across the historical, literary, and art-history fields in the increasingly active area of global studies. One should also consider the interactions between the visual and the verbal; the exchange between sermons and images, preaching and the arts through the lens of performance theory and models of word and image; and the exchange between textual and visual cultures.


The Prosperity Gospel in America  

Kate Bowler

“Prosperity gospel” is a term used mostly by critics to describe a theology and movement based on the belief that God wants to reward believers with health and wealth. The prosperity gospel, known alternatively as the Word of Faith or Health and Wealth gospel, maintains a distinctive view of how faith operates. Built on the theology of Essek William Kenyon, an early 20th-century radio evangelist, faith came to be seen as a spiritual law that guaranteed that believers who spoke positive truths aloud would lay claim to the divine blessings of health and happiness. Kenyon had absorbed a metaphysical vision of the power of the mind that had been developed by the New Thought movement and popularized in the burgeoning genre of self-help. Kenyon’s theology of faith-filled words was spread through healing revivalists in the young Pentecostal movement—most famously F. F. Bosworth—as one of many tools for achieving divine healing. Other variations of New Thought–inflected Christianity appeared in self-help prophets of the 1920s and 1930s, like Father Divine’s (1877/82?–1965) Peace Mission Movement and Sweet Daddy Grace’s (1881–1960) United House of Prayer. In the 1940s and 1950s, many Pentecostal pastors left their denominations and stirred up healing revivals across North America. Many of the most famous healing evangelists—Oral Roberts, William Branham, T. L. Osborn, A. A. Allen, Gordon Lindsay, and others—were influenced by Bosworth’s teachings on the law of faith (borrowed, of course, from Kenyon) to explain why some people were healed in their nightly revivals and others were not. Positive words, prayed aloud, possessed the power to make blessings materialize. By the early 1950s, they began to preach that wealth was also a divine right. New theological terms like “seed faith,” coined by Oral Roberts, sprang up to explain how gifts to the church were guaranteed to be returned to the believer with an added bonus. By the 1960s, the healing revivals had dried up, but the prosperity gospel continued to grow in the charismatic revivals washing through Catholic and mainline Protestant churches. In the charismatic movement, the prosperity gained middle-class audiences, greater respectability, and wider audiences beyond the Pentecostal nest. During this time, many prosperity-preaching evangelists began to build churches, educational centers, and radio and television ministries to spread their message. The airwaves were soon dominated by celebrity prosperity preachers like Rex Humbard, Robert Schuller, Jim and Tammy Bakker, and others. In the late 1980s, the movement faced a major crisis when several famous televangelists were accused of financial and sexual misconduct. However, new celebrities arose to replace them with a gentler message and a more professional image. The message was always a variation on the same theme: God wants to bless you. Stars like Joel Osteen, T. D. Jakes, or Joyce Meyer promised Christians the power to claim financial and physical well-being through right thought and speech. Though planted in Pentecostalism, the 21st-century prosperity movement attracted believers from diverse ethnic, denominational, racial, and economic backgrounds.



Anthony Briggman

Irenaeus (b. c. 135) was installed as bishop of Lyons after a severe persecution of the churches of Lyons and Vienne took the life of his episcopal predecessor, Pothinus. He was not a native of Roman Gaul, but rather migrated from Asia Minor, where in his younger days he heard the Apostle John teach. Irenaeus’ opposition to Valentinian and Marcionite theologies often casts him as one of the great polemicists of the early Church, but he was also one of the great theologians of the early tradition. Eusebius of Caesarea credits Irenaeus with various treatises, but only two have come down to us: a short work entitled Proof of the Apostolic Preaching, and the work for which he is best known, A Refutation and Overthrow of Knowledge Falsely So-Called—more commonly referred to as Against Heresies. His death is usually dated to the early years of the 3rd century. He is commemorated as a martyr, but evidence for his martyrdom is late.


Culture, Entertainment, and Religion in America  

Randall J. Stephens

Throughout American history, religion and entertainment have influenced each other and have intersected in fascinating ways. Native American rituals and games entertained and inspired. Early white settlers like the Puritans, though defining their faith over and against profane pastimes, engaged in sport, play, and elaborate storytelling. Still, stark contrasts appeared in the 17th and 18th centuries when it came to how Catholics and Protestants in the New World thought of the theater, music, and performance. The evangelical surge in the 18th century brought with it a lively and riveting preaching style—represented by celebrity ministers like George Whitfield and Gilbert Tennent—that faced the ire of their more traditional foes for using “vulgar” methods to reach the masses. In the 19th century, African Americans, in slavery and freedom, expressed their faith in ways that combined religious systems, dancing, and music traditions from Africa and the Americas. Evangelical churches and prominent figures used entertainment to proselytize, illustrate the drama of salvation and damnation, and to enliven services. Temperance, anti-slavery, and other reformist groups employed music, novels, and theater to spread their earnest message. Pentecostals and other evangelicals took up new forms in the 20th century. They eagerly made use of radio, film, and later, television. The well-known evangelist Billy Graham was a skillful pioneer of new media. In the 20th century, Hollywood films drew on Jewish and Catholic themes, as Jewish and Catholic writers, directors, and actors put their stamp on the silver screen. Late 20th and early 21st century combinations of religion and entertainment included Muslim rap music, Christian rock, Jewish folk music, and much more. A great deal of this innovation coincided with the rise of the performance-driven megachurch and the proliferation of religious organizations that catered to athletes and drew on sports imagery and symbols for the cause. In the long sweep of American history, the devout have found new, elaborate ways to draw on popular culture and to entertain as well as enlighten the faithful.


Martin Luther’s Writings  

Robert Kolb

Luther’s reform spread as rapidly and as widely as it did because of his effective marshalling of the media of oral proclamation and the relatively new medium of printed materials produced with movable type. His use of printed materials to spread his Reformation embraced a number of genres. The medieval genre, including the ars moriendi and meditations on Christ’s passion, provided avenues to deconstruct and reconstruct the theology and practice of the medieval church. The disputation form of the Ninety-Five Theses generated both the expanded form of argument in the “sermo” and various expressions of polemical literature. Luther transformed catechesis with his Large and Small Catechisms, helped popularize the hymn as a medium of instruction and devotion, provided “continuing education” for parish pastors through published sermons, and formulated his message for public and pastoral consumption in other genres as well. Each of these genres served, in different ways, as means for the Wittenberg reformer to shape the message and practice of the church and its people. In each genre, he continued to experiment with effective ways of calling hearers and readers to repentance and of bringing them the comfort of the gospel of Jesus Christ.


Martin Luther and the Trinity  

Christoph Schwöbel

Luther’s theology of the Trinity is firmly rooted in the catholic tradition of the church. In scholarly debate, it has therefore not received the same attention as the doctrines usually associated with the distinctive profile of the teaching of the Reformation, like the doctrine of justification by faith alone. The intrinsic connection between Luther’s catholic theology of the Trinity and the distinctive emphases of Reformation theology has consequently often been overlooked. Luther was reasonably well acquainted with the medieval debate and could occasionally, as in the late disputations, directly comment upon them, if the distinctions served to clarify his view of the place of Trinitarian teaching in the church. The most interesting question with regard to Luther’s doctrine of the Trinity is not which influences can be traced in his Trinitarian thought but how he developed the status of Trinitarian discourse in Christian faith and how he applied it in his treatment of other theological issues. If we survey Luther’s engagement with the doctrine of the Trinity, ranging from the early glosses on Lombard’s Sentences and Augustine’s De Trinitate to the very last disputation, we can see that in all the different genres in which he develops his theology, Trinitarian reflection plays an integral role. Luther’s own attempts at giving expression to the Trinitarian faith are developed within the boundaries of creedal orthodoxy. He does not modify the doctrinal tradition of the conciliar Creeds but employs it in such a way that its basis in the witness of Scripture becomes apparent and that the task of Trinitarian language in relating the different articles of Christian faith to their foundation and so can be understood by others.


16th- and 17th-Century English Sermons  

Katrin Ettenhuber

The continental and English Reformations had a profound impact on the development of the sermon, precipitating a decisive shift from sacramental forms of worship to a Scripture-centered piety. The Henrician Reformation of the 1530s tied preaching to the politics of religion, as the monarch sought to consolidate the Royal Supremacy. The sermon continued to play a crucial role in the promulgation and defense of royal policy for one hundred fifty years, until the Toleration Act of 1689 granted freedom of worship to dissenters and nonconformists. But the pulpit was equally important as a forum in which foreign and domestic affairs could be subjected to scrutiny and criticism, in often fraught and complex attempts to fulfill the Christian mandate to speak truth to power. Preaching did not simply reflect or articulate public opinion, but actively contributed to its formation. The early modern sermon, especially when it was delivered at large and popular venues such as Paul’s Cross or Saint Paul’s Cathedral, was not merely an occasion for the formal exposition of Scripture but a major social event that attracted significant numbers of spectators and listeners. Preachers were keenly attuned to the demands of homiletic decorum: if a sermon was to reach the hearts and souls of the audience, it needed to adapt to the time, place, and circumstances of performance. Places of preaching reflected the primacy of decorum in their architectural layout: the chapels royal embodied the idea of royal supremacy by seating the monarch in an elevated royal closet, for instance. Sermons were preached in a wide range of settings: parish churches and cathedrals; chapels at the Inns of Court and the universities; outdoor pulpits and private meeting houses; and before Parliament and on the judicial circuit. And they existed in a variety of forms and media: in their original performance context, animated by voice and gesture; as manuscript notes, summaries, or illicit copies for further circulation; and in printed formats ranging from expensive folios to penny chapbooks. These different modes of transmission were in turn associated with different architectures of cognition: print culture helped preserve a sermon’s message, but at the cost of sacrificing the spiritual bond with the congregation. In a culture that saw the sermon as the primary means of communication with God, and therefore as the main path to salvation, retaining a connection with the living tradition of apostolic preaching was vital, and preachers sought to augment their printed sermons with features of orality and dialogue in order to compensate for the absence of an immediate rapport with the audience.


Martin Luther’s Sermons and Postils  

John M. Frymire

For Martin Luther the sermon was not simply an exercise in which a preacher expounded on the biblical text, taught moral lessons, and reprimanded listeners for their shortcomings. The sermon meant far more than that. Preaching was God’s voice speaking through the minister. Hearing God’s promise of salvation was far more effective than reading it. In terms that echoed medieval theories of demonology, which posited that reading biblical passages aloud exorcized the air, Luther insisted that Satan fled the spoken word of God even if the written form bothered him not a whit. The sermon was the site where Christ confronted Satan in eschatological combat. Minsters made Christ really present from their pulpits and, through their preaching of God’s word, provided the means through which the Holy Spirit “worked,” literally, upon the auditor. Luther’s sense of the sermon was spiritual and physical to the extent that he considered preaching quasi-sacramental in the medieval sense of the opus operatum. Luther’s theology of preaching was among the most original of his discoveries, but he did not invent the sermon. For 1,500 years Christianity had spread among overwhelmingly illiterate populations, and the oral exposition of scripture was part of Christian services early on. Patristic theologians such as Augustine had preached extensively and left a corpus of manuscript sermons that influenced later exegetes. The advent of printing in the mid-15th century spread the homilies of medieval preachers and their patristic forerunners as never before. Especially popular were postils, model sermons for Sundays and festival days that were available in Latin and vernacular versions. Printing, the spread of the Mendicant preaching orders, improved clerical education, and increasing lay literacy all combined to produce a late medieval preaching renaissance. Martin Luther was born into this renaissance just as he became a trained professional in its tradition. When he died in 1546 he was no longer a late medieval Augustinian, but he had been a preacher by trade for nearly forty years. Luther preached constantly. None of his other duties took as much of his time. About 2,300 of his sermons survive, which, based on his preaching schedule, represent about half of the sermons he preached. Sermons take up some thirty volumes—that is, one-third—of the Weimar edition (WA) of his works. No other genre in his corpus comes close. The same can be said of the printing and impact of his sermons: none of Luther’s contemporaries came close either. Unlike many of those contemporaries, however, the most significant preacher in early modern Europe never wrote a treatise on how to preach. Luther never produced a comprehensive work of dogmatics either, and for the same reason: the incredibly gifted theologian was not a gifted systematician. Several of Luther’s greatest admirers noted as much, warning future preachers that unlike Luther, whose sermons tended to drift hither and yonder, they should stick to the main roads. Determining what sermons Luther actually delivered is nettlesome because it hinges on the types and numbers of texts that have come down to us. The issue is always the state of the sources. Thus, the rudiments of Luther’s sermons and postils as genres are presented, and select issues of manuscript and print production that shape our understanding of what Luther preached and how his ideas were received are examined.


Proclus Constantinopolitanus, c. 385–446 CE; bishop, 434–446 CE  

Maximos Constas

An early archbishop of Constantinople and a popular preacher in the rhetorical style of Gregory Nazianzus (d. 390), Proclus was the principal architect of the Byzantine cult of the Virgin Mary. Nothing is known of his family, social class, or early life, although he seems to have studied under Alexandrian teachers of rhetoric recently established in the new capital. Later Byzantine sources make Proclus the student of John Chrysostom (sed. 397–404), who died in exile (d. 407) and whose relics Proclus had with great pomp returned to Constantinople (438). However, contemporary sources place Proclus in the service of Atticus of Constantinople (sed. 406–425), who ordained him to the diaconate and priesthood, and whom Proclus served as secretary and ghostwriter. After the death of Atticus, Proclus was a candidate for the archiepiscopal throne, but lost the election to Sisinnius (sed. 426–427), who subsequently ordained Proclus to the see of Cyzicus. The people of Cyzicus, however, resisting interference in the affairs of their church, rejected Proclus, who remained in the capital where he flourished as a popular preacher. After the death of Sisinnius, Proclus was again put forward as a candidate but was blocked by the emperor, Theodosius II (r.


Martin Luther and Preaching  

Steve Paulson and Chris Croghan

The profound impact of Martin Luther’s theological confession is well documented. What is not as thoroughly explored is Luther’s understanding of the function of preaching, which both rooted his reformational breakthrough and drove the Reformation thereafter. Luther’s simple assertion—instead of the pope, there stands a sermon—resulted in a revolution that impacted all facets of 16th-century life. Luther’s simple assertion concerning proclamation deconstructed a deeply embedded framework that had arisen around Christianity that affected everything from the function of the priest to the definition and role of the church, and even Scripture itself. While Luther learned as he went, especially in the matter of preaching, the unwavering consistency and even simplicity of his theology is breathtaking. Instead of the pope, a sermon which delivers Christ’s forgiveness of sins. Faith in that promise is certain and is not to be doubted in any way. Thus, preaching and nothing else makes the church, not vice versa. The ramifications of this assertion are monumental and far-reaching. Luther’s confession caused great upheaval and consternation in his time and continues to do so even now, since it addresses the basic questions of theology and life, such as the role of the individual in salvation, whether the will is free or bound in relation to God, what the authority of Scripture is in relation to tradition, and what the difference between a command and a promise is. Yet Luther held to the claim that the most important matter was the comfort of the conscience, which can come only through a promise delivered in place and time to a person pro me and thus builds a whole gathering of the faithful as true church. Thus, in the face of outcries and upheaval in Christendom, Luther refused to blame the gospel, but simply preached as he had taught, trusting that the word of God does not return empty but accomplishes what it says. So he trusted that in that proclamation God’s will would be done: killing and making alive, naming and absolving the sin of people desperate to hear that freeing proclamation. Thus the Reformation that followed Luther became a preaching movement that distinguished the law and the gospel and applied both categorically. Proclamation is the moment and fullness of the divine election unto eternal life.