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Personality and Political Behavior
Matthew Cawvey, Matthew Hayes, Damarys Canache, and Jeffery J. Mondak
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Mis- and Disinformation
Yiyun Shou, Ozan Kuru, Eryn Newman, and Michael Smithson
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History of Spanish Psychology, 1800–2000
Javier Bandrés
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Leaders and Foreign Policy: Surveying the Evidence
Stephen Benedict Dyson and Thomas Briggs
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Corporate Social Responsibility: An Overview From an Organizational and Psychological Perspective
Ante Glavas and Mislav Radic
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Psychological Responses to Sport Injury
Britton W. Brewer
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Behavioral Public Administration
Lars Tummers
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The Availability Heuristic, Political Leaders, and Decision Making
Michael Cohen
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Psychoanalysis in Argentina
Hugo Klappenbach, Antonio Gentile, Fernando Ferrari, and Hernan Scholten
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Surgical Performance From a Psychological Perspective
Aidan Moran, Nick Sevdalis, and Lauren Wallace
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Agency and Structure in Foreign Policy Analysis
Jarrod Hayes
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William James and the Role of Psychology in Philosophy
Saulo de Freitas Araujo and Lisa M. Osbeck
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emotions
Douglas Cairns
“Emotion” is a vernacular rather than a scientific concept. The experiences that are called emotions in English are a subset of a wider range of affective experiences. Categories of particular emotions similarly constitute families whose members are by no means homogeneous. As perceptions of the world and of ourselves, emotions are richly permeated by cognition. As syndromes of multiple factors, they have an event-like structure that lends itself to narrative explanation. Historical analysis of emotion(s) thus requires close attention to conceptual history and to contexts, both immediate and cultural/historical. Classicists can explore the historical contingency of “emotion” in Greek and Latin, both in the theories of the major philosophical schools and in a variety of literary texts. But emotion history now uses a much wider range of literary, documentary, visual, and material evidence. Understanding emotion is an essential aspect of many early 21st-century approaches to Classics, especially in ancient history, classical literature and rhetoric, and ancient philosophy, just as the visual and physical remains of the classical world are rich in emotional implications and deeply entwined with the representation, performance, and pragmatics of ancient emotion.
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Critical Educational Psychology
Tim Corcoran
Article
the self in Latin literature
Thomas Habinek
Although the Latin language has no single term equivalent to the English expression “the self,” Latin literature has been understood by scholars to rely upon and engage with various concepts of selfhood or personal identity. Inquiry into the Roman self or selves is a relatively recent phenomenon, with antecedents in social scientists’ longstanding concern with culturally specific models of identity.1 Despite such precedents, classical scholars have generally focused more on the possible resemblance of the Roman self to modern Euro-American concepts than on analyzing Roman notions of individual identity on their own terms.
Perhaps the best-represented type of self in Latin literature is a rhetorical self, that is, an identity projected to the public by means of speaking, writing, and other types of social performance. Elite Romans would have received training in personal image construction as part of their literary and rhetorical education, which was explicitly concerned with the practice of and selection among various possible projections of character.